No. 19. This is not the conventional way of making scarabs. The legs are too pronounced. The letters of the cartouche are badly cut, and the line across the bottom of the cartouche is too low down. The inscription on the base is meaningless, and the glazing is obviously new. No. 20. The hare is badly cut and proportioned. The inscription is uneven. No. 21. This is a beautifully-cut double scarab of very unusual form. I bought it from a boy in the streets of Cairo for three piastres. It is extremely well moulded, and the colour is very good. It had been oiled, and had what looked like ancient dirt on its back. Upon rubbing this dirt I found a speck of gold underneath. For some time opinions differed as to whether this was a genuine scarab which had been stolen and sold by a man who did not know its real value, or whether it was a very clever imitation. Examination of the base showed that there were two inscriptions, divided in half by an ankh (key of life). But one sign was upside down, and some of the symbols are longer and larger than those on the corresponding side. The front legs are too broad, and quite standing up. It must have been a very difficult matter for the imitator to produce this unusual specimen. No. 22. This represents a frog, and is very poor work. It is made of composition, is insufficiently glazed, and the shape is bad. No. 23. This was meant for a goat, and bears three cartouches on its back. The inscriptions are incorrectly cut. The features are absent, and the glaze has been put on after the break across the back was done. No. 24. This is unevenly glazed, and the inscription is incorrect and uneven; but the beetle is well shaped. No. 25 is of good colour and shape, but rather thick. The inscription is of the time of Thothmes III., but the cartouche is unfinished, the serpents being only on one side of it, whereas they should be on both. No. 26 is too thick, of a bad shape, and the cutting is poor. It is supposed to represent Horus. No. 27 is of good colour, but the inscription is unevenly cut. It is supposed to represent Hathor, the goddess of beauty, love, and joy. No. 28. This is made of old scarabs, which have been ground down and re-cast. For this reason the seller was able to swear the most sacred oath that it was real antīca. The cutting of the letters is too shallow. No. 29 is well cut, a good blue, supposed to be Amenhotep, but the letters are not in proper order, and are meaningless. No. 30. This scarab bears the name of Khaf-Ra, and the story about it has been told on pages 73 and 74. It is made of composition, and the glaze is thick on one side and has not adhered properly to the other; but the scarab is well made. No. 31 is a good colour, is made of stone, fairly cut, but the inscription has no meaning.