Form and Function: A Contribution to the History of Animal MorphologyRussell, E. S. (Edward Stuart)
History
Form and Function: A Contribution to the History of Animal Morphology
Russell, E. S. (Edward Stuart)
Anatomy, Comparative -- History; Morphology (Animals) -- History
The _De Partibus Animalium_ becomes in form a comparative
organography, but the emphasis is always on function and community of
function. Thus he treats of bone, "fish-spine," and cartilage together
(_De Partibus_, ii., 9, 655^a), because they have the same function,
though he says elsewhere that they are only analogous structures (ii.,
8, 653^b). In the same connection he describes also the supporting
tissues of Invertebrates--the hard exoskeleton of Crustacea and
Insects, the shell of Testacea, the "bone" of _Sepia_ (ii., 8,
654^a). Aristotle took much more interest in analogies, in organs of
similar function, than in homologies. He did recognise the existence
of homologies, but rather _malgre lui_, because the facts forced it
upon him.
His only excursion into the realm of "transcendental anatomy" is his
comparison of a Cephalopod to a doubled-up Vertebrate whose legs have
become adherent to its head, whose alimentary canal has doubled upon
itself in such a way as to bring the anus near the mouth (_De
Partibus_, iv., 9, 684^b). It is clear, however, that Aristotle did
not seek to establish by this comparison any true homologies of parts,
but merely analogies, thus avoiding the error into which Meyranx and
Laurencet fell more than two thousand years later in their paper
communicated to the Academie des Sciences, which formed the
starting-point of the famous controversy between Cuvier and E.
Geoffroy St Hilaire (see Chap. V., below).
Moreover, Aristotle did not so much compare a Cephalopod with a
doubled-up Vertebrate as contrast Cephalopods (and also Testacea) with
all other animals. Other animals have their organs in a straight line;
Cephalopods and Testacea alone show this peculiar doubling up of the
body.
Public-domain text, read in full here on John Shaqi.
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