Fors Clavigera (Volume 1 of 8): Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 1 of 8): Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
Notwithstanding, there is agonizing distress even in this highly
favoured England, in some classes, for want of food, clothes, lodging,
and fuel. And it has become a popular idea among the benevolent
and ingenious, that you may in great part remedy these deficiencies
by teaching, to these starving and shivering persons, Science and
Art. In their way--as I do not doubt you will believe--I am very fond
of both; and I am sure it will be beneficial for the British nation
to be lectured upon the merits of Michael Angelo, and the nodes of
the moon. But I should strongly object myself to being lectured on
either, while I was hungry and cold; and I suppose the same view of
the matter would be taken by the greater number of British citizens in
those predicaments. So that, I am convinced, their present eagerness
for instruction in painting and astronomy proceeds from an impression
in their minds that, somehow, they may paint or star-gaze themselves
into clothes and victuals. Now it is perfectly true that you may
sometimes sell a picture for a thousand pounds; but the chances
are greatly against your doing so--much more than the chances of a
lottery. In the first place, you must paint a very clever picture;
and the chances are greatly against your doing that. In the second
place, you must meet with an amiable picture-dealer; and the chances
are somewhat against your doing that. In the third place, the amiable
picture-dealer must meet with a fool; and the chances are not always
in favour even of his doing that--though, as I gave exactly the sum
in question for a picture myself, only the other day, it is not for me
to say so. Assume, however, to put the case most favourably, that what
with the practical results of the energies of Mr. Cole, at Kensington,
and the æsthetic impressions produced by various lectures at Cambridge
and Oxford, the profits of art employment might be counted on as a
rateable income. Suppose even that the ladies of the richer classes
should come to delight no less in new pictures than in new dresses;
and that picture-making should thus become as constant and lucrative an
occupation as dress-making. Still, you know, they can't buy pictures
and dresses too. If they buy two pictures a day, they can't buy two
dresses a day; or if they do, they must save in something else. They
have but a certain income, be it never so large. They spend that,
now; and you can't get more out of them. Even if they lay by money,
the time comes when somebody must spend it. You will find that they do
verily spend now all they have, neither more nor less. If ever they
seem to spend more, it is only by running in debt, and not paying;
if they for a time spend less, some day the overplus must come into
circulation. All they have, they spend; more than that, they cannot
at any time; less than that, they can only for a short time.
Public-domain text, read in full here on John Shaqi.
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