Fors Clavigera (Volume 1 of 8): Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 1 of 8): Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
Such madness, therefore, as may be implied in this ultimate hope of
seeing some honest work and traffic done in faithful fellowship, I
confess to you: but what, for my own part, I am about to endeavour,
is certainly within my power, if my life and health last a few years
more, and the compass of it is soon definable. First,--as I told you
at the beginning of these Letters,--I must do my own proper work as
well as I can--nothing else must come in the way of that; and for some
time to come, it will be heavy, because, after carefully considering
the operation of the Kensington system of Art-teaching throughout the
country, and watching for two years its effect on various classes of
students at Oxford, I became finally convinced that it fell short of
its objects in more than one vital particular: and I have, therefore,
obtained permission to found a separate Mastership of Drawing in
connection with the Art Professorship at Oxford; and elementary
schools will be opened in the University galleries, next October, in
which the methods of teaching will be calculated to meet requirements
which have not been contemplated in the Kensington system. But how far
what these, not new, but very ancient, disciplines teach, may be by
modern students, either required or endured, remains to be seen. The
organization of the system of teaching, and preparation of examples,
in this school, is, however, at present my chief work,--no light
one,--and everything else must be subordinate to it.
But in my first series of lectures at Oxford, I stated (and cannot
too often or too firmly state) that no great arts were practicable
by any people, unless they were living contented lives, in pure air,
out of the way of unsightly objects, and emancipated from unnecessary
mechanical occupation. It is simply one part of the practical work I
have to do in Art-teaching, to bring, somewhere, such conditions into
existence, and to show the working of them. I know also assuredly
that the conditions necessary for the Arts of men, are the best for
their souls and bodies; and knowing this, I do not doubt but that it
may be with due pains, to some material extent, convincingly shown;
and I am now ready to receive help, little or much, from any one who
cares to forward the showing of it.
Sir Thomas Dyke Acland, and the Right Hon. William Cowper-Temple,
have consented to be the Trustees of the fund; it being distinctly
understood that in that office they accept no responsibility for the
conduct of the scheme, and refrain from expressing any opinion of
its principles. They simply undertake the charge of the money and
land given to the St. George's fund; certify to the public that it
is spent, or treated, for the purposes of that fund, in the manner
stated in my accounts of it; and, in the event of my death, hold it
for such fulfilment of its purposes as they may then find possible.
Public-domain text, read in full here on John Shaqi.
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