Fors Clavigera (Volume 2 of 8): Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 2 of 8): Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
Putting out of the question, then, this mode of their livelihood,
you will find all these squires essentially "captaines," head, or
chief persons, occupied in maintaining good order, and putting things
to rights, so that they naturally become chief Lawyers without Wigs,
(otherwise called Kings,) in the districts accessible to them. Of
whom I have named first, the Athenian Theseus, "setter to rights,"
or "settler," his name means; he being both the founder of the
first city whose history you are to know, and the first true Ruler
of beasts: for his mystic contest with the Minotaur is the fable
through which the Greeks taught what they knew of the more terrible
and mysterious relations between the lower creatures and man; and
the desertion of him by Ariadne, (for indeed he never deserted her,
but she him,--involuntarily, poor sweet maid,--Death calling her in
Diana's name,) is the conclusive stroke against him by the Third Fors.
Of this great squire, then, you shall really have some account in next
letter. I have only further time now to tell you that this month's
frontispiece is a facsimile of two separate parts of an engraving
originally executed by Sandro Botticelli. An impression of Sandro's
own plate is said to exist in the Vatican; I have never seen one. The
ordinarily extant impressions are assuredly from an inferior plate,
a copy of Botticelli's. But his manner of engraving has been imitated
by the copyist as far as he understood it, and the important qualities
of the design are so entirely preserved that the work has often been
assigned to the master himself.
It represents the seven works of Mercy, as completed by an eighth
work in the centre of all; namely, lending without interest, from
the Mount of Pity accumulated by generous alms. In the upper part of
the design are seen the shores of Italy, with the cities which first
built Mounts of Pity: Venice, chief of all;--then Florence, Genoa,
and Castruccio's Lucca; in the distance prays the monk of Ancona,
who first thought--inspired of heaven--of such war with usurers;
and an angel crowns him, as you see. The little dashes, which form
the dark background, represent waves of the Adriatic; and they, as
well as all the rest, are rightly and manfully engraved, though you
may not think it; but I have no time to-day to give you a lecture on
engraving, nor to tell you the story of Mounts of Pity, which is too
pretty to be spoiled by haste; but I hope to get something of Theseus
and Frederick the Second, preparatorily, into next letter. Meantime I
must close this one by answering two requests, which, though made to me
privately, I think it right to state my reasons for refusing, publicly.
The first was indeed rather the offer of an honour to me, than a
request, in the proposal that I should contribute to the Maurice
Memorial Fund.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account