Fors Clavigera (Volume 3 of 8): Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 3 of 8): Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
with this poverty, which, whatever its cause, even though it be,
as they say, the people's own fault, is a disgrace to every one of
us. And so it seems to me hopeless, and I wish you would emigrate.
"It is no use to be more polite, if we are less honest. No use to
treat women with more respect outwardly, and with more shameless,
brutal, systematic degradation secretly. Worse than no use to
build hospitals, and kill people to put into them; and churches,
and insult God by pretending to worship Him. Oh dear! what is it
all coming to? Are we going like Rome, like France, like Greece,
or is there time to stop? Can St. George fight such a Dragon? You
know I am a coward, and it does frighten me. Of course I don't mean
to run away, but is God on our side? Why does He not arise and
scatter His enemies? If you could see what I see here! This used
to be quite a peaceful little country village; now the chemical
manufacturers have built works, a crowd of them, along the river,
about two miles from here. The place where this hideous colony has
planted itself, is, I am sure, the ugliest, most loathsome spot on
the earth." (Arcadia, my dear, Arcadia.) "It has been built just as
any one wanted either works or a row of cottages for the men,--all
huddled up, backs to fronts, any way; scrambling, crooked, dirty,
squeezed up; the horrid little streets separated by pieces of
waste clay, or half-built-up land. The works themselves, with
their chimneys and buildings, and discoloured ditches, and heaps
of refuse chemical stuff lying about, make up the most horrible
picture of 'progress' you can imagine. Because they are all so
proud of it. The land, now every blade of grass and every tree
is dead, is most valuable--I mean, they get enormous sums of
money for it,--and every year they build new works, and say,
'What a wonderful place ---- is!' It is creeping nearer and
nearer here. There is a forest of chimneys visible, to make up,
I suppose, for the trees that are dying. We can hardly ever now
see the farther bank of our river, that used to be so pretty,
for the thick smoke that hangs over it. And worse than all, the
very air is poisoned with their gases. Often the vilest smells
fill the house, but they say they are not unhealthy. I wish they
were--perhaps then they would try to prevent them. It nearly
maddens me to see the trees, the poor trees, standing bare and
naked, or slowly dying, the top branches dead, the few leaves
withered and limp. The other evening I went to a farm that used
to be (how sad that 'used to be' sounds) so pretty, surrounded
by woods. Now half the trees are dead, and they are cutting down
the rest as fast as possible, so that they can at least make use
of the wood. The gas makes them useless. Yesterday I went to the
house of the manager of some plate-glass works.
Public-domain text, read in full here on John Shaqi.
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