Fors Clavigera (Volume 3 of 8): Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 3 of 8): Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
The road from the village of Shirley, near Addington, where my father
and mother are buried, to the house they lived in when I was four
years old, lay, at that time, through a quite secluded district of
field and wood, traversed here and there by winding lanes, and by one
or two smooth mail-coach roads, beside which, at intervals of a mile
or two, stood some gentleman's house, with its lawn, gardens, offices,
and attached fields, indicating a country life of long continuance
and quiet respectability. Except such an one here and there, one saw
no dwellings above the size of cottages or small farmsteads; these,
wood-built usually, and thatched, their porches embroidered with
honeysuckle, and their gardens with daisies, their doors mostly ajar,
or with a half one shut to keep in the children, and a bricked or tiled
footway from it to the wicket gate,--all neatly kept, and vivid with
a sense of the quiet energies of their contented tenants,--made the
lane-turnings cheerful, and gleamed in half-hidden clusters beneath
the slopes of the woodlands at Sydenham and Penge. There were no signs
of distress, of effort, or of change; many of enjoyment, and not a
few of wealth beyond the daily needs of life. That same district is
now covered by, literally, many thousands of houses built within the
last ten years, of rotten brick, with various iron devices to hold
it together. They, every one, have a drawing-room and dining-room,
transparent from back to front, so that from the road one sees the
people's heads inside, clear against the light. They have a second
story of bedrooms, and an underground one of kitchen. They are fastened
in a Siamese-twin manner together by their sides, and each couple has
a Greek or Gothic portico shared between them, with magnificent steps,
and highly ornamented capitals. Attached to every double block are
exactly similar double parallelograms of garden, laid out in new gravel
and scanty turf, on the model of the pleasure grounds in the Crystal
Palace, and enclosed by high, thin, and pale brick walls. The gardens
in front are fenced from the road with an immense weight of cast iron,
and entered between two square gate-posts, with projecting stucco
cornices, bearing the information that the eligible residence within
is Mortimer House or Montague Villa. On the other side of the road,
which is laid freshly down with large flints, and is deep at the sides
in ruts of yellow mud, one sees Burleigh House, or Devonshire Villa,
still to let, and getting leprous in patches all over the fronts.
Public-domain text, read in full here on John Shaqi.
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