Fors Clavigera (Volume 4 of 8): Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 4 of 8): Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
“It seems to me,” I say, as if such questions should occur to the
squire during sickness, or funeral pomp. But the seeming is far from
the fact. For I suppose the last idea which is likely ever to enter the
mind of a representative squire, in any vivid or tenable manner, would
be that anything he had ever done, or said, was liable to a judgment
from superior powers; or that any other law than his own will, or the
fashion of his society, stronger than his will, existed in relation to
the management of his estate. Whereas, according to any rational
interpretation of our Church’s doctrine, as by law established; if
there be one person in the world rather than another to whom it makes a
serious difference whether he dies in the Lord or out of Him; and if
there be one rather than another who will have strict scrutiny made
into his use of every instant of his time, every syllable of his
speech, and every action of his hand and foot,—on peril of having hand
and foot bound, and tongue scorched, in Tophet,—that responsible person
is the British Squire.
Very strange, the unconsciousness of this, in his own mind, and in the
minds of all belonging to him. Even the greatest painter of him—the
Reynolds who has filled England with the ghosts of her noble squires
and dames,—though he ends his last lecture in the Academy with “the
name of Michael Angelo,” never for an instant thought of following out
the purposes of Michael Angelo, and painting a Last Judgment upon
Squires, with the scene of it laid in Leicestershire. Appealing lords
and ladies on either hand;—“Behold, Lord, here is Thy land; which I
have—as far as my distressed circumstances would permit—laid up in a
napkin. Perhaps there may be a cottage or so less upon it than when I
came into the estate,—a tree cut down here and there imprudently;—but
the grouse and foxes are undiminished. Behold, there Thou hast that is
Thine.” And what capacities of dramatic effect in the cases of less
prudent owners,—those who had said in their hearts, “My Lord delayeth
His coming.” Michael Angelo’s St. Bartholomew, exhibiting his own skin
flayed off him, awakes but a minor interest in that classic picture.
How many an English squire might not we, with more pictorial advantage,
see represented as adorned with the flayed skins of other people? Micah
the Morasthite, throned above them on the rocks of the mountain of the
Lord, while his Master now takes up His parable, “Hear, I pray you, ye
heads of Jacob, and ye princes of the house of Israel; Is it not for
you to know judgment, who also eat the flesh of my people, and flay
their skin from off them, and they break their bones, and chop them in
pieces as for the pot.”
Public-domain text, read in full here on John Shaqi.
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