Fors Clavigera (Volume 4 of 8): Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 4 of 8): Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
Think over that, ladies, and gentlemen who love them, for a pretty way
of being decolletée. Even though the flesh should be a little sunburnt
sometimes,—so that it be the Sun of Righteousness, and not Baal, who
shines on it—though it darken from the milk-like flesh to the colour of
the Madonna of Chartres,—in this world you shall be able to say, I am
black, but comely; and, dying, shine as the brightness of the
firmament—as the stars for ever and ever. They do not receive their
glories,—however one differeth in glory from another,—either by, or on,
Exchange.
Lucca. (Assumption of the Virgin.)
‘As the stars, for ever.’ Perhaps we had better not say that,—modern
science looking pleasantly forward to the extinction of a good many of
them. But it will be well to shine like them, if but for a little
while.
You probably did not understand why, in a former letter, the Squire’s
special duty towards the peasant was said to be “presenting a celestial
appearance to him.”
That is, indeed, his appointed missionary work; and still more
definitely, his wife’s.
The giving of loaves is indeed the lady’s first duty; the first, but
the least.
Next, comes the giving of brooches;—seeing that her people are dressed
charmingly and neatly, as well as herself, and have pretty furniture,
like herself. [57]
But her chief duty of all—is to be, Herself, lovely.
“That through her smocke, wrought with silk,
The flesh be seen as white as milke.” [58]
Flesh, ladies mine, you observe; and not any merely illuminated
resemblance of it, after the fashion of the daughter of Ethbaal. It is
your duty to be lovely, not by candlelight, but sunshine; not out of a
window or opera-box, but on the bare ground.
Which that you may be,—if through the smocke the flesh, then, much
more, through the flesh, the spirit, must be seen “as white as milke.”
I have just been drawing, or trying to draw, Giotto’s ‘Poverty’ (Sancta
Paupertas) at Assisi. You may very likely know the chief symbolism of
the picture: that Poverty is being married to St. Francis, and that
Christ marries them, while her bare feet are entangled in thorns, but
behind her head is a thicket of rose and lily. It is less likely you
should be acquainted with the farther details of the group.
Public-domain text, read in full here on John Shaqi.
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