Fors Clavigera (Volume 4 of 8): Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 4 of 8): Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
The thorns are of the acacia, which, according to tradition, was used
to weave Christ’s crown. The roses are in two clusters,—palest red,
[59] and deep crimson; the one on her right, the other on her left;
above her head, pure white on the golden ground, rise the Annunciation
Lilies. She is not crowned with them, observe; they are behind her: she
is crowned only with her own hair, wreathed in a tress with which she
had bound her short bridal veil. For dress, she has—her smocke only;
and that torn, and torn again, and patched, diligently; except just at
the shoulders, and a little below the throat, where Giotto has torn it,
too late for her to mend; and the fair flesh is seen through, so white
that one cannot tell where the rents are, except when quite close.
For girdle, she has the Franciscan’s cord; but that also is white, as
if spun of silk; her whole figure, like a statue of snow, seen against
the shade of her purple wings: for she is already one of the angels. A
crowd of them, on each side, attend her; two, her sisters, are her
bridesmaids also. Giotto has written their names above them—Spes;
Karitas;—their sister’s Christian name he has written in the lilies,
for those of us who have truly learned to read. Charity is crowned with
white roses, which burst, as they open, into flames; and she gives the
bride a marriage gift.
“An apple,” say the interpreters.
Not so. It was some one else than Charity who gave the first bride that
gift. It is a heart.
Hope only points upwards; and while Charity has the golden nimbus round
her head circular (infinite), like that of Christ and the eternal
angels, she has her glory set within the lines that limit the cell of
the bee,—hexagonal.
And the bride has hers, also, so restricted: nor, though she and her
bridesmaids are sisters, are they dressed alike; but one in red; and
one in green; and one, robe, flesh and spirit, a statue of Snow.
“La terza parea neve, teste mossa.”
Do you know now, any of you, ladies mine, what Giotto’s lilies mean
between the roses? or how they may also grow among the Sesame of
knightly spears?
Not one of you, maid or mother, though I have besought you these four
years, (except only one or two of my personal friends,) has joined St.
George’s Company. You probably think St. George may advise some
different arrangements in Hanover Square? It is possible; for his own
knight’s cloak is white, and he may wish you to bear such celestial
appearance constantly. You talk often of bearing Christ’s cross; do you
never think of putting on Christ’s robes,—those that He wore on Tabor?
nor know what lamps they were which the wise virgins trimmed for the
marriage feast? You think, perhaps, you can go in to that feast in
gowns made half of silk, and half of cotton, spun in your Lancashire
cotton-mills; and that the Americans have struck oil enough—(lately, I
observe also, native gas,)—to supply any number of belated virgins?
Public-domain text, read in full here on John Shaqi.
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