Fors Clavigera (Volume 4 of 8): Letters to the workmen and labourers of Great Britain — John Shaqi
Fors Clavigera (Volume 4 of 8): Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 4 of 8): Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
My book is meant for no one who cannot reach it. If a man with all the
ingenuity of Lancashire in his brains, and breed of Lancashire in his
body; with all the steam and coal power in Lancashire to back his
ingenuity and muscle; all the press of literary England vomiting the
most valuable information at his feet; with all the tenderness of
charitable England aiding him in his efforts, and ministering to his
needs; with all the liberality of republican Europe rejoicing in his
dignities as a man and a brother; and with all the science of
enlightened Europe directing his opinions on the subject of the
materials of the Sun, and the origin of his species; if, I say, a man
so circumstanced, assisted, and informed, living besides in the richest
country of the globe, and, from his youth upwards, having been in the
habit of ‘seeing that he had value for his money,’ cannot, as the
upshot and net result of all, now afford to pay me tenpence a month—or
an annual half-sovereign, for my literary labour,—in Heaven’s name, let
him buy the best reading he can for twopence-halfpenny. For that sum, I
clearly perceive he can at once provide himself with two penny
illustrated newspapers and one halfpenny one,—full of art, sentiment,
and the Tichborne trial. He can buy a quarter of the dramatic works of
Shakspeare, or a whole novel of Sir Walter Scott’s. Good value for his
money, he thinks!—reads one of them through, and in all probability
loses some five years of the eyesight of his old age; which he does
not, with all his Lancashire ingenuity, reckon as part of the price of
his cheap book. But how has he read? There is an act of Midsummer
Night’s Dream printed in a page. Steadily and dutifully, as a student
should, he reads his page. The lines slip past his eyes, and mind, like
sand in an hour-glass; he has some dim idea at the end of the act that
he has been reading about Fairies, and Flowers, and Asses. Does he know
what a Fairy is? Certainly not. Does he know what a flower is? He has
perhaps never seen one wild, or happy, in his life. Does he even
know—quite distinctly, inside and out—what an Ass is?
But, answer second. Whether my Lancashire friends need any aid to their
discernment of what is good or bad in literature, I do not know;—but I
mean to give them the best help I can; and, therefore, not to allow
them to have for twopence what I know to be worth tenpence. For here is
another law of Florence, still concerning fish, which is transferable
at once to literature.
“Eel of the lake shall be sold for three soldi a pound; and eel of the
common sort for a soldo and a half.”
And eel of a bad sort was not allowed to be sold at all.
Public-domain text, read in full here on John Shaqi.
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