Fors Clavigera (Volume 5 of 8): Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 5 of 8): Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
I have thankfully received this month, from the first donor of land to
the St. George’s Company, Mrs. Talbot, £11 0s. 4d., rent of cottages on
said land, at Barmouth, North Wales; and I have become responsible, as
the Master of the Company, for rent or purchase of a room at Sheffield,
in which I propose to place some books and minerals, as the germ of a
museum arranged first for workers in iron, and extended into
illustration of the natural history of the neighbourhood of Sheffield,
and more especially of the geology and flora of Derbyshire. The
following letter respecting the neighbouring town of Leeds will be
found interesting in connection with this first opening of St George’s
work:—
“Leeds, June 21st, 1875.
“Dear Sir,—Being more or less intimately mixed up with the young of the
working classes, in night schools and similar works, I am anxious to
know what I can do to counteract two or three growths, which seem
likely to be productive of very disastrous results, in the young men
from seventeen to twenty-five, who are many of them earning from 20s.
to 35s. per week,—the almost morbid craving for drink, and the
excitement which is to be found in modern French dramas of very
questionable morality, concert halls and singing rooms, where appeal is
principally made to their animal passions and lusts—whose chief notion
of enjoyment seems to be in getting drunk. Then the young men of
similar ages, and earning from 14s. to 20s., who are in a chronic state
of unrest, ever eager for novelty and sensationalism, though not quite
so much given to drink as the men, yet treading a similar course. They
have no pleasure in going to the country, to see flowers, birds, and
fish, or to the seaside to see the sea; if there be no fireworks, no
prize band, no dancing on the green, or something of the sort, they
will not attempt to go. Now, where is all this to end? Nature has no
charms for them; music little attraction, except in the form of dance;
pictures nothing: what remains? And yet something should, and must be
done, and that speedily,—otherwise what will become of the poor things?
“Then, in your ‘Elements of Drawing,’ you lay down certain books to be
studied, etc.
“Now, suppose a woman or man has been brought up to have a kind of
contempt for ‘Grimm’s Goblins,’ ‘Arabian Nights,’ etc., as childish and
frivolous,—and on account of the Calvinistic tendency of relatives, has
been precluded from reading books,—how should a healthy tendency be
brought about? For the mind is not a blank, to receive impressions like
a child, but has all sorts of preconceived notions and prejudices in
the way,—Shakspeare looked upon as immoral, or childish, and the rest
treated in an equally cavalier manner by people who probably never
looked inside the books.”
Public-domain text, read in full here on John Shaqi.
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