Nor did I painfully wish, what I was never permitted for an instant to hope, or even imagine, the possession of such things as one saw in toyshops. I had a bunch of keys to play with, as long as I was capable only of pleasure in what glittered and jingled; as I grew older, I had a cart, and a ball; and when I was five or six years old, two boxes of well-cut wooden bricks. With these modest, but, I still think, entirely sufficient possessions, and being always summarily whipped if I cried, did not do as I was bid, or tumbled on the stairs, I soon attained serene and secure methods of life and motion; and could pass my days contentedly in tracing the squares and comparing the colours of my carpet;—examining the knots in the wood of the floor, or counting the bricks in the opposite houses; with rapturous intervals of excitement during the filling of the water-cart, through its leathern pipe, from the dripping iron post at the pavement edge; or the still more admirable proceedings of the turncock, when he turned and turned till a fountain sprang up in the middle of the street. But the carpet, and what patterns I could find in bed covers, dresses, or wall-papers to be examined, were my chief resources, and my attention to the particulars in these was soon so accurate, that when at three and a half I was taken to have my portrait painted by Mr. Northcote, I had not been ten minutes alone with him before I asked him why there were holes in his carpet. The portrait in question represents a very pretty child with yellow hair, dressed in a white frock like a girl, with a broad light-blue sash and blue shoes to match; the feet of the child wholesomely large in proportion to its body; and the shoes still more wholesomely large in proportion to the feet. These articles of my daily dress were all sent to the old painter for perfect realization; but they appear in the picture more remarkable than they were in my nursery, because I am represented as running in a field at the edge of a wood with the trunks of its trees striped across in the manner of Sir Joshua Reynolds; while two rounded hills, as blue as my shoes, appear in the distance, which were put in by the painter at my own request; for I had already been once, if not twice, taken to Scotland; and my Scottish nurse having always sung to me as we approached the Tweed or Esk,— “For Scotland, my darling, lies full in my view, With her barefooted lassies, and mountains so blue,” I had already generally connected the idea of distant hills with approach to the extreme felicities of life, in my (Scottish) aunt’s garden of gooseberry bushes, sloping to the Tay.