Fors Clavigera (Volume 5 of 8): Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 5 of 8): Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
This was partly the fault of my father’s modesty; and partly of his
pride. He had so much more confidence in my mother’s judgment as to
such matters than in his own, that he never ventured even to help, much
less to cross her, in the conduct of my education; on the other hand,
in the fixed purpose of making an ecclesiastical gentleman of me, with
the superfinest of manners, and access to the highest circles of
fleshly and spiritual society, the visits to Croydon, where I entirely
loved my aunt, and young baker-cousins, became rarer and more rare: the
society of our neighbours on the hill could not be had without breaking
up our regular and sweetly selfish manner of living; and on the whole,
I had nothing animate to care for, in a childish way, but myself, some
nests of ants, which the gardener would never leave undisturbed for me,
and a sociable bird or two; though I never had the sense or
perseverance to make one really tame. But that was partly because, if
ever I managed to bring one to be the least trustful of me, the cats
got it.
Under these favourable circumstances, what powers of imagination I
possessed, either fastened themselves on inanimate things—the sky, the
leaves, and pebbles, observable within the walls of Eden, or caught at
any opportunity of flight into regions of romance, compatible with the
objective realities of existence in the nineteenth century, within a
mile and a quarter of Camberwell Green.
Herein my father, happily, though with no definite intention other than
of pleasing me, when he found he could do so without infringing any of
my mother’s rules, became my guide. I was particularly fond of watching
him shave; and was always allowed to come into his room in the morning
(under the one in which I am now writing), to be the motionless witness
of that operation. Over his dressing-table hung one of his own
water-colour drawings, made under the teaching of the elder Nasmyth. (I
believe, at the High School of Edinburgh.) It was done in the early
manner of tinting, which, just about the time when my father was at the
High School, Dr. Munro was teaching Turner; namely, in grey under-tints
of Prussian blue and British ink, washed with warm colour afterwards on
the lights. It represented Conway Castle, with its Frith, and, in the
foreground, a cottage, a fisherman, and a boat at the water’s edge.
Public-domain text, read in full here on John Shaqi.
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