Fors Clavigera (Volume 6 of 8): $b Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 6 of 8): $b Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
[22] I have desired Mr. Ward to prepare small photographs of this
design, in case any reader cares to have it,—but mind, it is not
altogether done according to Mr. Stopford Brooke’s notion of the object
of true art, “to please”—(see page 88 of the Manual of English
Literature, just published by that omniscient divine—under the auspices
of the all-and-sundry-scient Mr. T. R. Green, M.A.,—so, if you only
want to be pleased, you had better not order it. But at any rate,
order, if you wish to understand the next coming Fors, the Etruscan
Leucothea, for comparison with your Lippi Madonna. Mr. Ward will have
it ready with my signature about the time next Fors comes out;—or you
can get it, unmounted, for a shilling, from Mr. Parker’s agent in Rome.
[23] The £40 here acknowledged was an additional subscription from No.
8 subscriber, whose total subscription is therefore £60, not £20, as in
above subscriber’s account; in which also the initials of No. 38 should
be S. G., and the sum £2 2s. These errors will be corrected in next
Fors, in which also I will separate the interest from the
subscriptions.
[24] My friends (see a really kind article in the Monetary Gazette,)
much doubt, and very naturally, the wisdom of this exposition. I indeed
expected to appear to some better advantage; but that the confession is
not wholly pleasant, and appears imprudent, only makes it the better
example. Fors would have it so.
[25] Psalm lxviii. 31; lxxxiii. 7 and 8; lxxxvii. 4; Isaiah xlv. 14. I
am not sure of my interpretation of the 87th Psalm; but, as far as any
significance exists in it to our present knowledge, it can only be of
the power of the Nativity of Christ to save Rahab the harlot, Philistia
the giant, Tyre the trader, and Ethiopia the slave.
[26] Letter XVII., p. 6.
[27] You may indeed dip softly into the ground and rise gradually out
of it; but this will give you not a clear, but an infinitely graduated
excision, exquisite in drawing, but not good for writing.
[28] I take the title of this relief from Mr. Parker’s catalogue, not
being certain of the subject myself, and rather conceiving it to be
Latona with Apollo.
[29] Travelling and personal expenses since January 1st, of which I
have no space for the detail in this Fors; it will be given in its
place. Klein has ten pounds a month, himself, besides his expenses in
Oxford when I’ve no rooms for him.
[30] A youth, whom I am maintaining in art-study at Venice. He has £7
10s. monthly. This payment is to end of April.
[31] Water-colour drawing of a cottage at Coniston, likely to be soon
destroyed by ‘improvements.’
[32] £10 pocket-money, £25 to St. George, money of his in my hands
included in my banker’s January balance, acknowledged in St. George
accounts, March 7th.
[33] £21 of this my own upholsterer’s and other bills at Oxford; the
rest, Crawley will account for.
[34] Drawings made for me at Siena.
Public-domain text, read in full here on John Shaqi.
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