Fors Clavigera (Volume 6 of 8): $b Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 6 of 8): $b Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
Miserables,—who makes London big, but you, coming to look at the
harlotries in it, painted and other? Who makes living expensive, but
you, who drink, and eat, [5] and dress, all you can; and never in your
lives did one stroke of work to get your living,—never drew a bucket of
water, never sowed a grain of corn, never spun a yard of thread;—but
you devour, and swill, and waste, to your fill, and think yourselves
good, and fine, and better creatures of God, I doubt not, than the poor
starved wretch of a shoemaker, who shod whom he could, while you gave
him food enough to keep him in strength to stitch.
We, of the so-called ‘educated’ classes, who take it upon us to be the
better and upper part of the world, cannot possibly understand our
relations to the rest better than we may where actual life may be seen
in front of its Shakespearean image, from the stalls of a theatre. I
never stand up to rest myself, and look round the house, without
renewal of wonder how the crowd in the pit, and shilling gallery, allow
us of the boxes and stalls to keep our places! Think of it;—those
fellows behind there have housed us and fed us; their wives have washed
our clothes, and kept us tidy;—they have bought us the best
places,—brought us through the cold to them; and there they sit behind
us, patiently, seeing and hearing what they may. There they pack
themselves, squeezed and distant, behind our chairs;—we, their elect
toys and pet puppets, oiled, and varnished, and incensed, lounge in
front, placidly, or for the greater part, wearily and sickly
contemplative. Here we are again, all of us, this Christmas! Behold the
artist in tumbling, and in painting with white and red,—our object of
worship, and applause: here sit we at our ease, the dressed dolls of
the place, with little more in our heads, most of us, than may be
contained inside of a wig of flax and a nose of wax; stuck up by these
poor little prentices, clerks, and orange-sucking mobility, Kit, and
his mother, and the baby—behind us, in the chief places of this our
evening synagogue. What for? ‘They did not stick you up’ say you,—you
paid for your stalls with your own money. Where did you get your money?
Some of you—if any Reverend gentlemen, as I hope, are among us,—by
selling the Gospel; others by selling Justice; others by selling their
Blood—(and no man has any right to sell aught of these three things,
any more than a woman her body,)—the rest, if not by swindling, by
simple taxation of the labour of the shilling gallery,—or of the yet
poorer or better persons who have not so much, or will not spend so
much, as the shilling to get there? How else should you, or could you,
get your money,—simpletons?
Public-domain text, read in full here on John Shaqi.
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