Fors Clavigera (Volume 6 of 8): $b Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 6 of 8): $b Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
I couldn’t go on about my cousin Jessie, for I was interrupted by the
second post with more birthday compliments, from young ladies now about
Jessie’s age—letters which of course required immediate answer,—some
also with flowers, which required to be immediately put into water, and
greatly worried me by upsetting themselves among my books all day
afterwards; but I let myself be worried, for love;—and, from a
well-meaning and kindly feeling friend, some very respectful and
respectable poetry, beautifully written, (and I read part of it, for
love, but I had much rather he had sent me sixpence, for I hate poetry,
mostly, and love pence, always); and to-day, half-past seven before
chapel, my mind is otherwise set altogether, for I am reading Leviticus
carefully now, for my life of Moses; and, in working out the law of the
feast of harvest, chanced on the notable verse, xxiii. 24: “In the
seventh month, in the first day of the month, shall ye have a Sabbath,
a memorial of blowing of trumpets, an holy convocation;” and then
flashed on me, all in a minute, the real meaning of Holbein’s
introduction to the Dance of Death, (the third woodcut in the first
edition), which till this moment I only took for his own symbol of the
Triumph of Death, adopted from Orcagna and others, but which I see now,
in an instant, to be the un-Holy Convocation; the gathering together to
their temple of the Tribes of Death, and the blowing of trumpets on
their solemn feast day, and sabbath of rest to the weary in evil doing.
And, busy friends, in the midst of all your charming preparations for
the Spring season, you will do well to take some method of seeing that
design, and meditating, with its help, upon the grave question, what
kind of weariness you will have to rest from. My own thoughts of it are
disturbed, as I look, by that drummer-death, in front, [22] with his
rattling and ringing kettledrums (he the chief Musician in the Psalm
for the sons of Korah—Dathan and Abiram, because his sounding is on
Skin, with sticks of Bone,) not only because of my general interest in
drummers, but because, after being much impressed, when I was a child,
by the verses I had to learn about the last trump, out of the 15th of
1st Corinthians,—when I became a man, and put away childish things, I
used often to wonder what we should all say of any sacred Saga among
poor Indians whose untutored mind sees God in clouds, if it told them
that they were all to rise from the dead at the sound of the last drum.
And here I’m interrupted again by a delightful letter about the
resurrection of snails, Atropos really managing matters, at present,
like the daintiest and watchfullest housewife for me,—everything in its
place, and under my hand.
Public-domain text, read in full here on John Shaqi.
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