Toward sunset of one of the early days of April, 1861, a young girl stood leaning upon the wicket of a fence which separated the garden from the highway. She stood there dreamily gazing along the road, as if awaiting the approach of some one who would be welcome when he came. The slanting rays of the declining sun glanced through the honeysuckles and tendrils that intertwined among the white palings, and threw a subdued light upon her face. It was a face that was beautiful in repose, but that promised to be more beautiful when awakened into animation. The large, grey eyes were half veiled with their black lashes at that moment, and their expression was thoughtful and subdued; but ever as the lids were raised, when some distant sound arrested her attention, the expression changed with a sudden flash, and a gleam like an electric fire darted from the glowing orbs. Her features were small and delicately cut, the nostrils thin and firm, and the lips most exquisitely molded, but in the severe chiselling of their arched lines betraying a somewhat passionate and haughty nature. But the rose tint was so warm upon her cheek, the raven hair clustered with such luxuriant grace about her brows, and the _petite_ and lithe figure was so symmetrical at every point, that the impression of haughtiness was lost in the contemplation of so many charms. Oriana Weems, the subject of our sketch, was an orphan. Her father, a wealthy Virginian, died while his daughter was yet an infant, and her mother, who had been almost constantly an invalid, did not long survive. Oriana and her brother, Beverly, her senior by two years, had thus been left at an early age in the charge of their mother's sister, a maiden lady of excellent heart and quiet disposition, who certainly had most conscientiously fulfilled the sacred trust. Oriana had returned but a twelvemonth before from a northern seminary, where she had gathered up more accomplishments than she would ever be likely to make use of in the old homestead; while Beverly, having graduated at Yale the preceding month, had written to his sister that she might expect him that very day, in company with his classmate and friend, Arthur Wayne. She stood, therefore, at the wicket, gazing down the road, in expectation of catching the first glimpse of her brother and his friend, for whom horses had been sent to Richmond, to await their arrival at the depot. So much was she absorbed in revery, that she failed to observe a solitary horseman who approached from the opposite direction. He plodded leisurely along until within a few feet of the wicket, when he quietly drew rein and gazed for a moment in silence upon the unconscious girl. He was a tall, gaunt man, with stooping shoulders, angular features, lank, black hair and a sinister expression, in which cunning and malice combined. He finally urged his horse a step nearer, and as softly as his rough voice would admit, he bade: "Good evening, Miss Oriana."