But she had never known anything so vivid. Quietly, as though he were
reciting the story to himself and were not sure whether he were telling
it aloud or no, he began. As he continued she could see the place as
though it was there with her in the room, the little Inn that ran out
into the water, the high-cobbled street, the sea road, the grim stone
house standing back amongst its belt of trees, the Grey Hill, the coast,
the fields ... and then the story--the night of the fight, the beating,
the school-days, that day with his mother (here he gave her actual
dialogue as though there was no word of it that he had forgotten),
the funeral--and then at last, gradually, climbing to its climax
breathlessly, the relation of father and son, its hatred, then its
degradation, and last of all that ludicrous scene in the early morning
... he told her everything.
When he had finished, there was a long silence between them: the fire
was out and the room very cold. The storm had fallen now in a fury about
the house, and the rain lashed the windows and then fell in gurgling
stuttering torrents through the pipes and along the leads. Miss Monogue
could not move; the scene, the place, the incidents were slowly fading
away, and the room slowly coming back again. The face opposite her,
also, gradually seemed to drop, as though it had been a mask, the
expression that it had worn. Peter Westcott, the Peter that she knew,
sat before her again; she could have believed as she looked at him, that
the impressions of the last half-hour had been entirely false. And yet
the things that he had told her were not altogether a surprise; she had
not known him for seven years without seeing signs of some other
temper and spirit--controlled indeed, but nevertheless there, and very
different from the pleasant, happy Peter who played with the Tressiter
children and dared to chaff Mrs. Brockett.
“You've paid me a great compliment, telling me this,” she said at last.
“Remember we're friends; you've proved that we are by coming like this
to-night. I shan't forget it. At any rate,” she added, softly, “it's all
right now, Peter--it's all over now.”
“Over! No, indeed,” he answered her. “Do you suppose that one can grow
up like that and then shake it off? Sometimes I think ... I'm afraid
...” he stopped, abruptly biting his lips. “Oh, well,” he went on
suddenly in a brighter tone, “there's no need to bother you with all
that. It's nothing. I'm a bit done up over this book, I expect. But
that's really why I told you that little piece of autobiography--because
it will help you to understand the book. The book's come out of all
that, and you mightn't have believed that it was me at all--unless I'd
told you these things.”
Public-domain text, read in full here on John Shaqi.
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