He really saw more of old Curtis the gardener, but half an hour with his
father could seem a very long time. Throughout the rest of his life that
half-hour after supper remained at the back of his mind--and he never
forgot its slightest detail. The hideous dining-room with the large
photographs of old grandfather and grandmother Westcott in ill-fitting
clothes and heavy gilt frames, the white marble clock on the
mantelpiece, a clock that would tick solemnly for twenty minutes and
then give a little run and a jump for no reason at all, the straight
horsehair sofa so black and uncomfortable with its hard wooden back, the
big dining-room table with its green cloth (faded a little in the middle
where a pot with a fern in it always stood) and his aunt with her frizzy
yellow hair, her black mittens and her long bony fingers playing her
interminable Patience, and then two arm-chairs by the fire, in one of
them old grandfather Westcott, almost invisible beneath a load of rugs
and cushions and only the white hairs on the top of his head sticking
out like some strange plant, and in the other chair his father,
motionless, reading the _Cornish Times_--last of all, sitting up
straight with his work in front of him, afraid to move, afraid to cough,
sometimes with pins and needles, sometimes with a maddening impulse to
sneeze, always with fascinated glances out of the corner of his eye at
his father--Peter himself. How happy he was when the marble clock
struck nine, and he was released! How snug and friendly his little attic
bedroom was with its funny diamond-paned window under the shelving
roof with all the view of the common and the distant hills that covered
Truro! There, at any rate, he was free!
Public-domain text, read in full here on John Shaqi.
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