Peter had, on the very afternoon of that beautiful evening, returned from the sea; there, during the last three weeks, he had passed his convalescence and now, once again, he faced the world. Mrs. Galleon and the Galleon baby had been with him and Bobby had come down to them for the week-ends. In this manner Peter had had an opportunity of getting to know Mrs. Galleon with a certainty and speed that nothing else could have given him. During the first weeks after his removal from Bucket Lane, he had been too ill to take any account of his neighbours or surroundings. He had been sent down to the sea as soon as it was possible and it was here, watching her quietly or listening to her as she read to him, walking a little with her, playing with her baby, that he grew to know her and to love her. She had been a Miss Alice du Cane, at first an intelligent, cynical and rather trivial person. Then suddenly, for no very sure reason that any one could discover, her character changed. She had known Bobby during many years and had always laughed at him for a solemn, rather-priggish young man--then she fell in love with him and, to his own wild and delirious surprise, married him. The companions of her earlier girlhood missed her cynicism and complained that brilliance had given way to commonplace but you could not find, in the whole of London, a happier marriage. To Peter she was something entirely new. Norah Monogue was the only woman with whom, as yet, he had come into any close contact, and she, by her very humility, had allowed him to assume to her a superior, rather patronising attitude. The brief vision of Clare Rossiter had been altogether of the opposite kind, partaking too furiously of heaven to have any earthly quality. But here in Alice Galleon he discovered a woman who gave him something--companionship, a lively and critical intelligence, some indefinable quality of charm--that was entirely new to him. She chaffed him, criticised him, admired him, absorbed him and nattered him in a breath. She told him that he had a “degree” of talent, that he was the youngest and most ignorant person for his age that she had ever met, that he was conceited, that he was rough and he had no manners, that he was too humble, that he was a “flopper” because he was so anxious to please, that he was a boy and an old man at the same time and finally that the Galleon baby--a solemn child--had taken to him as it had never taken to any one during the eventful three years of its life. Behind these contradictory criticisms Peter knew that there was a friend, and he was sensible enough also to realise that many of the things that she said to him were perfectly true and that he would do well to take them to heart. At first she had made him angry and that had delighted her, so he had been angry no longer; it seemed to him, during these days of convalescence, that the solemn melodramatic young man of Bucket Lane was an incredibility.