“Nothing else can console you, nothing else can comfort you. There must
be restraint, austerity, discipline--words must come to you easily but
only because life has come to you with so great a pain ... the Artist's
life is the harshest that God can give to a man. Make no mistake about
that. Fortitude is the artist's only weapon of defence....”
Henry Galleon came over to Peter's chair and put his hand upon the boy's
arm.
“I am at the end of my work. I have done what I can. You are at the
beginning of yours. You will do what you can. I wish you good fortune.”
A vision came to Peter. Through the open window, against the sheet of
stars, gigantic, was the Rider on the Lion.
He could not see the Rider's face.
A great exultation inflamed him.
At that instant he was stripped bare. His history, the people whom he
knew, the things that he had done, they were all as though they had
never been.
His soul was, for that great moment, naked and alone before God.
“The whole duty of Art is listening for the voice of God....”
A sound, as though it came to him from another world, broke into the
room.
There were voices and steps on the stairs.
“Ah, they are back from their party,” Henry Galleon said, trotting
happily to the door. “Come up and have a chat with my wife, Westcott,
before going to bed.”
CHAPTER III
THE ENCOUNTER
I
Peter was now the young man of the moment. He took this elevation with
frank delight, was encouraged by it, gave it all rather more, perhaps,
than its actual value, began a new novel, “The Stone House,” started
weekly reviewing on _The Interpreter_ and yielded himself up entirely to
Clare Rossiter.
He had been in love with her ever since that first day at Norah
Monogue's, but the way that she gradually now absorbed him was like
nothing so much as the slow covering of the rocks and the sand by the
incoming tide. At first, in those days at Brockett's, she had seemed to
him something mysterious, intangible, holy. But after that meeting in
Cheyne Walk he knew her for a prize that some fortunate man might, one
day, win. He did not, for an instant, suppose that he could ever be
that one, but the mere imagined picture of what some other would one day
have, sent the blood rushing through him. Her holiness for him was still
intact but for another there would be human, earthly wonders.
Then, curiously, as he met her more often and knew her better there came
a certain easy, almost casual, intercourse. One Clare Rossiter still
reigned amongst the clouds, but there was now too another easy,
fascinating, humorous creature who treated him almost like Alice Galleon
herself--laughed at him, teased him, provoked him ... suddenly, like a
shadow across a screen, would slip away; and he be on his knees again
before something that was only to be worshipped.
Public-domain text, read in full here on John Shaqi.
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