Treliss, as it appeared in the holidays, seemed to Peter to change very
little. His relations with his father were curiously passive during this
time, and suggested, in their hint of future developments, something
ominous and uneasy. They scarcely ever spoke to one another, and it
was Peter's object to avoid the house as often as possible, but in his
father's silence now (Peter himself being older and intuitively sharper
as to the reason of things) he saw active dislike, and even, at times,
a suggested fear. Outwardly they--his father, his grandfather, his
aunt, Mrs. Trussit--had changed not at all; his grandfather the same
old creature of grey hairs and cushions and rugs, his father broad and
square and white in the face with his black hair carefully brushed, his
aunt with her mittens and trembling hands and silly voice, Mrs. Trussit
with her black silk gown and stout prosperous face--Oh! they were all
there, but he fancied--and this might easily be imagination--that they,
like the portraits of the old Westcotts about the walls, watched him,
as he grew, knowing that ever, as the months passed, the day came nearer
when father and son must come to terms. And beyond this he had, even
at this early time, a consciousness that it was round his mother's room
that the whole matter hung--his mother whom he saw once or twice a week
for a very little time in the morning, when that old terror of the white
silent room would creep upon him and hold him tongue-tied.
And yet, with it all, he knew, as every holiday came, more clearly,
that again and again they, his mother and himself, were on the verge of
speech or action. He could see it in her eyes, her beautiful grey eyes
that moved him so curiously. There were days when he was on the edge
of a rush of questions, and then something held him back--perhaps the
unconscious certainty that his mother's answers would precipitate his
relations with his father--and he was not, as yet, ready.
Anyhow a grim place, Scaw House, grimmer with every return to it, and
not a brightly coloured interlude to Dawson's, grim enough in its own
conditions. The silence that was gradually growing with Peter--the fixed
assurance, whether at home or at school, that life was easier if one
said nothing--might have found an outlet in Stephen's company, but here
again there was no cheerful chronicle.
Public-domain text, read in full here on John Shaqi.
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