All the room seemed to cease moving and talking at the moment when
Stephen Brant said that. They stood where they were like the people in
the _Sleeping Beauty_, and Peter climbed up on to his chair again to
see what was going to happen. He pulled up his stockings, and then sat
forward in his chair with his eyes gazing at Stephen and his hands very
tightly clenched. When, afterwards, he grew up and thought at all about
his childhood, this scene always remained, over and beyond all the
others. He wondered sometimes why it was that he remembered it all so
clearly, that he had it so dramatically and forcibly before him, when
many more recent happenings were clouded and dull, but when he was older
he knew that it was because it stood for so much of his life, it was
because that Christmas Eve in those dim days was really the beginning
of everything, and in the later interpretation of it so much might be
understood.
But, to a boy of that age, the things that stood out were not, of
necessity, the right things and any unreality that it might have had was
due perhaps to his fastening on the incidental, fantastic things that
a small child notices, always more vividly than a grown person. In the
very first instant of Stephen's speaking to the man with the muffler it
was Dicky the Fool's open mouth and staring eyes that showed Peter how
important it was. The Fool had risen from his chair and was standing
leaning forward, his back black against the blazing fire, his silly
mouth agape and great terror in his eyes. Being odd in his mind, he felt
perhaps something in the air that the others did not feel, and Peter
seemed to catch fright from his staring eyes.
The man at the door had turned round when Stephen Brant spoke to him,
and had pushed his way out of the crowd of men and stood alone fingering
his neck.
“I'm here, Stephen Brant, if yer want me.”
Public-domain text, read in full here on John Shaqi.
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