Abduction -- Fiction; Adventure stories; Great Britain -- History -- Restoration, 1660-1688 -- Fiction; Historical fiction
“It is, George--entirely,” his grace agreed, resenting the
interruption. “You are the rarity. You have always found better than
you deserved. I have never found it until this moment.” And his eyes
upon Miss Farquharson gave point to his meaning.
When at length they left her, her sense of exaltation was all gone.
She could not have told you why, but the Duke of Buckingham’s approval
uplifted her no longer. Almost did she wish that she might have gone
without it. And when Betterton came smiling good-naturedly, to offer
her his congratulations upon this conquest, he found her bemused and
troubled.
Bemused, too, did Etheredge find the Duke as they drove back together
to Wallingford House.
“Almost, I think,” said he, smiling, “that already you find my despised
prescription to your taste. Persevered with it may even restore you
your lost youth.”
“What I ask myself,” said Buckingham, “is why you should have
prescribed her for me instead of for yourself.”
“I am like that,” said Etheredge,--“the embodiment of self-sacrifice.
Besides, she will have none of me--though I am ten years younger than
you are, fully as handsome and almost as unscrupulous. The girl’s a
prude, and I never learnt the way to handle prudes. Faith, it’s an
education in itself.”
“Is it?” said Buckingham. “I must undertake it, then.”
And undertake it he did with all the zest of one who loved learning and
the study of unusual subjects.
Daily now he was to be seen in a box at the theatre in Lincoln’s Inn
Fields, and daily he sent her, in token of his respectful homage, gifts
of flowers and comfits. He would have added jewels, but that the wiser
Etheredge restrained him.
“Ne brusquez pas l’affaire,” was the younger man’s advice. “You’ll
scare her by precipitancy, and so spoil all. Such a conquest as this
requires infinite patience.”
His grace suffered himself to be advised, and set a restraint upon his
ardour, using the greatest circumspection in the visits which he paid
her almost daily after the performance. He confined the expressions of
admiration to her histrionic art, and, if he touched upon her personal
beauty and grace, it was ever in association with her playing, so that
its consideration seemed justified by the part that he told her he was
conceiving for her.
Public-domain text, read in full here on John Shaqi.
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