Fortune's My Foe: A RomanceBloundelle-Burton, John
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Fortune's My Foe: A Romance
Bloundelle-Burton, John
English fiction -- 19th century
Seventeen years had passed, consequently the world had arrived at the
year of our Lord 1758, and Beau Bufton sat in his lodgings in the
Haymarket one June afternoon. In front of him, because he was a beau,
there stood three wigs upon blocks, one black, the other brown, a
third one golden, and upon each his eye glanced with considerable
complacency--a complacency which, however, was somewhat marred by the
recollection that none were paid for, and, as far as Algernon Bufton
knew, were not likely to be so just yet. Which fact would not,
perhaps, have been particularly painful to him except for one other,
namely, that his credit was running short and his creditors were
beginning to pester him. Nevertheless, he smiled approvingly upon
them; not because they themselves were splendid, and would be
costly--if he should ever pay his bills!--but because he considered
that they would become him vastly.
"It was the golden one I wore," he muttered to himself now, "when
first I won her young and virgin heart at the Wells. Ay! the golden
one. I do remember very well. I assumed it because it matched the blue
frock and the green silk waistcoat trimmed with gold and the black
breeches of velvet. Ah! well, I will wear it again."
Then his eye, which was a dark, full one, fell upon a number of fans
nailed against the wall, in the midst of which, spread out and open,
was one that seemed to possess the place of honour. We know those fans
because our grandmothers' grandmothers (when we had any!) left them
behind after they had departed for a better world than this. We know
the carved ivory sticks, the highly coloured landscape, the lover
kneeling at his mistress's feet, with ever one amorous arm around her
waist--as should be in such happy sylvan scenes!--also we know the
blue sky and the sportive woolly sheep, as well as the bird upon the
bough, the rivulet and waterfall. Thus the fan appeared on which Beau
Bufton gazed now, his chin--a long one, causing him to be a man
mistrusted of other men--in his hand. Yet more particularly he gazed
upon two letters carved into the topmost ivory rib, and lacquered
golden; two letters entwined together--the letters "A. T."
"Ah, Ariadne!" he whispered, with emotion, "although you did protest,
you let me take it. Ah, Ariadne! In faith you must be mine. Those
sweet clear eyes, that supple form, those gentle features, and," he
concluded, perhaps a little inconsequently, "the Fanshawe Manor and
the hundred thousand guineas. All--all must be mine."
Then he returned to his seat, with again the smirk of fervour on his
face, while, still nursing that long chin, he pursued his meditations.
Public-domain text, read in full here on John Shaqi.
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