Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
Hence the variations of color seen in ancient paper
writings, as already stated, were due not only to possible
imperfect admixtures of the component parts of
the inks, but to the use of vegetable gums in their
preparation. In the course of time these have been
absorbed by moisture which hastened disintegration,
causing a gradual disappearance of their original blackness
and gloss and finally a return to the rusty color
of oxidized iron.
It therefore follows, my observations and deductions
being correct, the older a writing made with
tanno-gallate of iron ink, where isinglass is the binder,
and which has not been "blotted," the harder and
more impervious and irresponsive it becomes to the
action of the natural elements or of chemical reagents.
The truths demonstrated in this proposition cannot
be denied. They fortify as certain that a properly
proportioned mixture in water of an infusion of nut-
galls or gallo-tannic acid and sulphate of iron, with
isinglass as the vehicle to bold the particles in a state
of suspension, if written with on good paper and allowed
to dry without blotting, in a short time becomes
encased or enveloped in such vehicle, which is thereby
rendered substantially insoluble and absolutely
prevents any extensive oxidation. Also, as a further
consequent result, there is chemically created an
unchangeable and continuing black color more permanent
and durable than the substance on which it appears.
With a sample of standard commercial chemical
writing fluid, write on "linen" paper without blotting
it; in thirty hours, if exposed to the air and
from three to five days if kept from it, the writing
should have assumed a color bordering on black; it
becomes black at the end of a month under any conditions,
and so continues for a period of about five
or six years, when if examined under a lens of the
magnification of ten diameters, there will be a noticeable
discoloration of the sides or pen tracks which
slowly spreads during a continuing period of from ten
to fifteen years, until the entire pen marks are of a
rusty brown tint. A species of disintegration and
decay is now progressing and when approximately
forty years of age, has destroyed all ink qualities.
Public-domain text, read in full here on John Shaqi.
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