Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
In cases where pencil writing has been removed
with a soft rubber or fresh bread, the parts thus
erased will assume, when subjected to iodine fumes, a
brown color trending towards violet and much darker
than the undisturbed portions of the paper. Lines
impressed upon paper with a "stylus," a glass or
ordinary dry pen, can be made visible by the fumes of
iodine, the lines showing with a stronger coloration
than the surrounding paper.
CHAPTER XX.
FUGITIVE INK.
SOME OBSERVATIONS ABOUT "ADDED" COLOR TO INK--
INVENTION OF COAL TAR COLORS--CHRONOLOGICAL HISTORY
OF THE "ANILINES" EMPLOYED AS INK--OTHER
SUBSTANCES USED FOR THE SAME PURPOSE.
THE term "added color," as applied to ink, is the
popular phraseology for a multitude of materials
which have been more or less utilized for a period of
centuries, in adulterating and coloring ink. In olden
times they were introduced into ink with an honest
belief that it would also improve and ensure its lasting
qualities, but latterly more often to cheapen the
cost of its manufacture. Reference has been made
to a large variety of these substances used for this
purpose and the story told of the effect of the test of
time upon them as indicative of their supposed value.
Attention has also been directed to the discovery
during the nineteenth century of the colors which
owe their origin to by-products of coal tar.
Generically these colors are classified as "anilines."
They have worked a revolution in all the arts in
which colors are used. Employed without a mordant,
with few exceptions, they are measurably affected by
both light, heat, moisture, or other changes and as
made into inks are never permanent. Hence they
should not be used for records, because if obliterated
from any cause whatever, there are no known means
to render them again legible.
The origin and history of the "anilines" are
known. Viewed from an ink standpoint they are of
vast interest. So extended in number are the "anilines"
(they run into the thousands) that they include
every shade of black and all possible tints or hues of
the colors of the rainbow.
The chronological history of such of these artificial
colors which appertain to ink or its manufacture is
important as locating the dates of their invention
and commercial use.
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