Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
The first discovery of "aniline" is credited to
Helot in 1750. In 1825 Faraday in rectifying naphtha
discovered benzole, which by the action of strong
nitric acid be converted into nitro-benzole; and this
latter, when agitated with water, acetic acid and iron
filings produced aniline. Unverdorben in 1826 discovered
an analogous material in products obtained
by the destructive distillation of indigo. Runge in
1834 claims to have detected it in coal tar and called
it kyanol, which after oxidation became an insoluble
black pigment and known as aniline black. It could
not, however, be used as an ink. Zinan in 1840,
experimenting along the same lines, produced another
compound terming it benzidam. Fritsche in the same
year by the distillation of indigo with caustic potash
developed a product which he also called aniline, the
name being derived from the Portuguese word anil,
meaning indigo. Shortly afterwards A. W. Hoffman
established the identity of these substances.
Aniline when pure is a colorless liquid, possessing
a rather ammoniacal odor. It soon becomes yellow
and yellow-brown under the influence of light and air.
It does not affect litmus paper.
In 1856 Perkins accidentally discovered the violet
dye called mauve, which acquired considerable commercial
importance besides its utility for ink purposes.
Nicholson in 1862 succeeded in producing the first
of the soluble blue anilines.
The discovery of induline, one of the modifications
of aniline black, was made known in 1864.
Nigrosine, produced by the action of concentrated
sulphuric acid on the insoluble indulines, was discovered
in 1868.
The soluble indulines and nigrosines differentiate in
appearance, the first a bronzy powder and the latter a
black lustrous powder. When made into ink they
possess about equal color values.
In 1870 the German chemists, Graebe and Liebermann,
announced that they had succeeded in producing
artificial alizarin,--the coloring matter of the
madder root. Commercial value was not given to
this discovery until it was put on the market in 1873,
although it did not meet all the requirements.
Springmuhl in 1873 obtained an accessory product
in the artificial manufacture of alizarin out of anthracene,
from which a beautiful blue was made, superior
in many respect to the aniline blues. It differed from
aniline in having the same color in solution. Alkalis
destroyed the color but acids restored it. The process
was kept a secret for a long time. This product was
originally sold as high as $1,500 for a single pound.
Caro, a German chemist, invented in 1874 the red
color known as eosine, which was brought to this
country in the following year and sold for $125 per
pound. Its color is destroyed by acids.
Orchil or archil (the red color) was discovered in
1879. The commercial use of the so-called "orchil
substitutes" (purples) began, however, in the years
1885 and 1887.
Public-domain text, read in full here on John Shaqi.
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