Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
"Ten parts of logwood are to be exhausted with
eighty of boiling water. To the solution one thousandth
of its weight of yellow chromate of potash
is to be added gradually. The liquid turns
brown and at last blue-black. No gum is needed,
and the ink is not removed by soaking in water.
--Chemical Gazette, London (1850)."
* * * * * * * *
"Shellac, 2 oz.; borax, 1 oz.; distilled or rain
water, 18 oz. Boil the whole in a closely covered
tin vessel, stirring it occasionally with a glass rod
until the mixture has become homogeneous; filter
when cold, and mix the fluid solution with an ounce
of mucilage or gum arabic prepared by dissolving
1 oz. of gum in 2 oz. of water, and add pulverized indigo
and lampblack ad libitum. Boil the whole
again in a covered vessel, and stir the fluid well to
effect the complete solution and admixture of the
gum arabic. Stir it occasionally while it is cooling;
and after it has remained undisturbed for two
or three hours, that the excess of indigo and lamp-
black may subside, bottle it for use. The above
ink for documentary purposes is invaluable, being
under all ordinary circumstances, indestructible.
It is also particularly well adapted for the use of
the laboratory. Five drops of creosote added to a
pint of ordinary ink will effectually prevent its becoming
mouldy."
* * * * * * * *
"In November, 1854, Mr. Grace Calvert read a
paper before the London Society of Arts in which
he said that he hoped before long some valuable
dyeing substances other than carbo-azotic acid
would be prepared from coal tar.
"In another paper read before the same society
in 1858 he said: 'This expectation has now been
fulfilled. Messrs. Perkins and Church have obtained
several blue coloring substances from the
alkaloids of coal tar, and one from naphthalene.'
Also that himself and Mr. Charles Lowe had succeeded
in obtaining coal tar products yielding colors
of a beautiful pink, red, violet, purple, and
chocolate. (These were not soluble in water)."
* * * * * * * *
"Among vegetable substances useful in the arts
is one that has long been known in New Grenada
under the name of the ink-plant, as furnishing a
juice which can be used in writing without previous
preparation. Characters traced with this substance
have a reddish color at first, which turns to a deep
black in a few hours. This juice is said to be
really less liable to thicken than ordinary ink, and
not to corrode steel pens. It resists the action of
water, and is practically indelible. The plant is
known as coryaria thymifolia."
* * * * * * * *
"Desormeaux recommends that the sulphate of
iron be calcined to whiteness; coarse brown sugar
instead of sugar candy; 1/4 oz. acetate of copper,
instead of one ounce of the sulphate, and a drop
or two of creosote or essential oil of cloves to prevent
moulding." (See Ribaucourt receipt, p. 194.)
* * * * * * * *
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