Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
The edicts, as well as the letters of kings, were written
upon tablets and sent to the various provinces,
sealed with their signets. Scripture plainly alludes
to the custom of sealing up letters, edicts and the tablets
on which the prophets wrote their visions.
The practice of writing upon rolls made of the barks
of trees is very ancient. It is alluded to in the Book
of Job: "Oh! that mine adversary had written a book;
surely I would take it upon my shoulders, and bind
it as a crown to me." (Old version.) The new one
runs: "And that I had the indictment which mine
adversary hath written!" The rolls, or volumes,
generally speaking, were written upon one side only.
This is intimated by Ezekiel who observes that he
saw one of in extraordinary form written on both
sides: "And when I looked, behold, an Hand was sent
unto me, and lo! a roll of a book was therein; and he
spread it before me, and it was written within and
without."
To have been able to write on dry tablets of wood
or barks of trees with the reed or brush, the then only
ink-writing instruments in vogue would have necessitated
the employment of lampblack suspended in a
vehicle of thick gum, or in the form of a paint. Both
of these maybe termed pigmentary inks. The use of
thin inks would have caused spreading or blotting and
thus rendered the writing illegible.
The Encyclopaedia Britannica generalizes its remarks
on this subject:--
"The earliest writings were purely monumental
and accordingly those materials were chosen which
were supposed to last the longest. The same idea
of perpetuity which in architecture finds its most
striking exposition in the pyramids was repeated,
in the case of literary records, in the two columns
mentioned by Josephus, the one of stone and the
other of brick, on which the children of Seth wrote
their inventions and astronomical discoveries; in
the pillars in Crete on which, according to Porphyry,
the ceremonies of the Corybantes were inscribed;
in the leaden tablets containinlu the works of Hesiod,
deposited in the temple of the Muses, in Boeotia;
in the ten commandments on stone delivered by
Moses; and in the laws of Solon, inscribed on planks
of wood. The notion of a literary production surviving
the destruction of the materials on which it
was first written--the 'momentum, aere perennius'
of Horace's ambition--was unknown before the discovery
of substances for systematic transcription.
"Tablets of ivory or metal were in common use
among the Greeks and Romans. When made of
wood--sometimes of citron, but usually of beech or
fir--their inner sides were coated with wax, on
which the letters were traced with a pointed pen or
stiletto (stylus), one end of which was used for
erasure. It was with his stylus that Caesar stabbed
Casca in the arm when attacked by his murderers.
Wax tablets of this kind continued in partial use in
Europe during the middle ages; the oldest extant
specimen, now in the museum at Florence, belongs
to the year 1301."
Public-domain text, read in full here on John Shaqi.
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