Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
"Before the growth of wealth and luxury had
taught nations to raise magnificent temples and
stately palaces, whose walls the hieroglyphic sculptor
covered with records of the pomp and pride
of princes, more purely national memorials had
found their place upon the native rock, the most
convenient surfaces of which were smoothed for
this purpose. Where no such rock existed in the
situation required, a massive stone was raised by
artificial means and the record, whether referring
to a victory, a new boundary, or any other event
of national interest was engraved upon it. Such
memorials have been described by Hebrew writers
as aumad or ammod, literally, the lips of the people,
or, the words of the people, but actually meaning
a pillar. Records in this form and the early name
they bore account for the strange legends of mediaeval
times referring to speaking stones--a name
by which such monuments were probably still called
long after time had effaced the speaking record,
and the original purport of the defaced stone was
forgotten. In semi-barbarous epochs, like the era
which followed the partial extinction of Roman
civilization, popular curiosity and superstition combined
would seek to give a meaning to the name of
such 'speaking stones,' and as an example of the
legends which thus arose, the itinerarium cambriae
of Geraldus may be cited, in which a stone is mentioned
at St. David's as the 'speaking stone'
(lech lavar) which was said to call out when a dead
body was placed upon it. The most remarkable
rock inscriptions still remaining are those of Assyria
and Persia, but many national tablets of more
recent date are still in existence. For the execution
of such records and those of the palaces of
Egypt and Assyria, some kind of steel point must
have been used, as no softer substance would have
served to engrave them in granitic and basaltic
slabs with the sharpness they still exhibit, which
proves that the art of hardening steel, long thought
a comparatively modern invention, was known to
the ancient people of Asia and Africa."
A list of the various devices of different countries,
by which characters could be legibly portrayed with
a scratching implement, is best recapitulated by Mr.
Knight, who presents them in the following order:
"The tabula or wooden board smeared with wax,
upon which a letter was written by a stylus.
"The Athenian scratched his vote upon a shell
as did the lout when he voted to ostracize Aristides.
"The records of Ninevah were inscribed upon
tablets of clay, which were then baked.
"The laws of Rome were engraved on brass and
laid up in the Capitol.
"The decalogue was graven upon the tables of
stone.
"The Egyptians used papyrus and granite.
"The Burmese, tablets of ivory and leaves.
"Pliny mentions sheets of lead, books of linen,
and waxed tablets of wood.
"The Hebrews used linen and skins.
"The Persians, Mexicans, and North American
Indians used skins.
"The Greeks, prepared skins called membrana.
Public-domain text, read in full here on John Shaqi.
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