Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
The first lead pencils are supposed to have been
manufactured in England in the second half of the
sixteenth century. The raw plumbago, or "wad," as
it was locally termed, was subjected to the following
treatment: "On reaching the surface it was sawn
into strips of the required size, and these, without any
further manipulation, were inserted into the wood.
Strange though it may appear, the lead pencils first
manufactured in this manner are acknowledged to have
been the best--and even at the beginning of the present
century they remained unsurpassed upon the
score of the softness and fine tone of the lead. Although
the Cumberland lead pencils were in great demand
owing to the fact that they were the first to
successfully meet a long-felt want, they nevertheless
owed their permanent and wide-spread reputation--
more especially in artistic circles--to their excellent
quality.
Towards the end of the last century the black-lead
pencil industry was introduced into France, where
with some restrictions it soon developed.
With the removal of all restrictions on industrial
freedom in 1795, the idea was entertained of using
clay as a binding medium for black-lead. This
method offered several advantages, for not only did
the addition of clay cause a saving of a large percentage
of the valuable mineral, but it greatly facilitated
the method of manufacture, so that lead pencils
could now be offered at greatly reduced prices.
By these improvements a new era in the manufacture
of lead pencils was begun in France. Still,
there remained much to be done in the field of black-
lead pencil making in order to do justice to the increasing
demands of art and the requirements of more
civilized life.
It is true, different kinds of lead pencils of various
degrees were produced, but they did not comply by a
long way with the different uses for which they were
needed. The manipulation of the brittle material
required not only deep study, but also conscientious
and skillful workmen, in order to impart the necessary
standard of perfection to the lead pencil.
Among the various German industries the manufacture
of black-lead pencils occupied but a very
modest place.
The first traces of its existence are to be found at
Stein, a village not far from Nuremberg. As far back
as the year 1726 the church registers mention marriages
between "black-lead pencil makers," and, at a
later date references are found in the same registers
to "black-lead cutters" of both sexes.
The manufacture of black-lead pencils, however,
occupied a position on the very lowest rung of the
industrial ladder.
Public-domain text, read in full here on John Shaqi.
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