Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
"Take an ounce of quick-lime, and half an ounce of
orpin, powder and mix them, put your mixture into
a matrass, and pour upon it five or six ounces of water,
that the water may be three fingers breadth above
the powder, stop your matrass with cork, wax, and a
bladder; set it in digestion in a mild sand heat ten or
twelve hours, shaking the matrass from time to time,
then let it settle, the liquid becomes clear like common
water.
"Burn cork, and quench it in aqua vitae, then dissolve
it in a sufficient quantity of water, wherein you
shall have melted a little gumm arabick, in order to
make an ink as black as common ink. You must
separate the cork that can't dissolve, and if the ink be
not black enough, add more cork as before.
"Get the impregnation of saturn made with vinegar,
distilled as I have shewn before, or else dissolve
so much salt of saturn as a quantity of water
is able to receive: write on paper with a new
pen dipt in this liquor, take notice of the place
where you writ, and let it dry, nothing at all will
appear.
"Write upon the invisible writing with the ink
made of burnt cork, and let it dry, that which you
have writ will appear as if it had been done with common
ink.
"Dip a little cotton in the first liquor made of lime
and orpin, but the liquor must be first settled and
clear; rub the place you writ upon with this cotton
and that which appeared will presently disappear, and
that which was not seen will appear.
ANOTHER EXPERIMENT.
Take a book four fingers breadth in bigness, or
bigger if you will: write on the first leaf with your
impregnation of saturn, or else put a paper that you
have writ upon between the leaves; turn to t' other
side of the Book, and having observed as near as may
be the opposite place to your writing, rub the last leaf
of the book with cotton dipt in liquor made of quick-
lime and orpin, nay and leave the cotton on the place
clap a folded paper presently upon it, and shutting
the book quickly, strike upon it with your hand four
or five good strokes; then turn the book, and clap it
into a press for half a quarter of an hour; take it out
and open it, you'll find the place appear black, where
you had writ with the invisible ink. The same thing
might be done through a wall, if you could provide
something to lay on both sides, that might hinder the
evaporation of the spirits.
REMARKS.
"These operations are indeed of no use, but because
they are somewhat surprizing, I hope the curious will
not take it ill, that I make this small digression.
"It is a hard matter to explicate well the effects I
have now related, nevertheless I shall endeavour to
illustrate them a little, without having recourse to
sympathy and antipathy, which are general terms, and
do not explicate nothing at all; but before I begin, we
must remark several things.
"The first is, that it is an essential point to quench
the coal of cork in aqua vitae, that the visible ink may
become black with it.
Public-domain text, read in full here on John Shaqi.
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