Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
"Secondly, that the blackness of this ink does
proceed from the fuliginosity or sooty part of the coal
of the cork which is exceeding porous and light, and
that this fuliginosity is nothing but an oil very much
rarefied.
"Thirdly, that the impregnation of saturn, which
makes the invisible ink, is only a lead dissolved, and
held up imperceptibly in an acid liquor, as I have said,
when I spoke of this metal.
"Fourthly, that the first of these liquors in a mixture
of the alkali and igneous parts of quick-lime with
the sulphureous substance of arsenick; for the orpin
is a sort of arsenick, as I said before.
"All this being granted, as no body can reasonably
think otherwise, I now affirm, that the reason why the
visible ink does disappear, when the defacing liquor is
rubbed upon it, is that this liquor consisting of an
alkali salt, and parts that are oily and penetrating,
this mixture does make a kind of soap, which is able
to dissolve any fuliginous substance, such as burnt
cork, especially when it has been already rarefied and
disposed for dissolution by aqua vitae, after the same
manner as common soap, which is compounded of oil,
and an alkali salt, is able to take away any spots made
by grease.
"But it may be demanded, why after the dissolution
the blackness does disappear.
"I answer, that the fuliginous parts have been so
divided, and locked up in the sulphureous alkali of
the liquor, that they are become invisible, and we see
every day that very exact solutions do render the thing
dissolved imperceptible, and without colour.
"The little alkali salt which is in the burnt cork
may also the better serve to joyn with the alkali of
the quick-lime, and to help the dissolution.
"As for the invisible ink, it is easy to apprehend
how that appears black, when the same liquor, which
serves to deface the other, is used upon it. For whereas
the impregnation of saturn is only a lead suspended by
the edges, of the acid liquor, this lead must needs revive,
and resume its black colour, when that which held it
rarefied is entirely destroyed; so the alkali of quick-
lime being filled with the sulphurs of arsenick becomes
very proper to break and destroy the acids, and to
agglutinate together the particles of lead.
It happens that the visible ink does disappear by
reason that the parts which did render it black have
been dissolved; and the invisible ink does also appear
because the dissolved parts have been revived.
"Quick-lime and, orpiment being mixed and digested
together in water, do yield a smell much like
that which happens when common sulphur is boiled in
a lixivium, of tartar. This here is the stronger, because
the sulphur of arsenick is loaded with certain salts
that make a stronger impression on the smell. Quick-
lime is an alkali that operates in this much like the
salt of tartar in the other operation; you must not
leave the matrass open, because the force of this
water doth consist in a volatile.
Public-domain text, read in full here on John Shaqi.
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