Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
"The lime retains the more fixt part of the arsenick
and the sulphurs that come forth are so much the
more subtile, as they are separated from what did fix
them before, and this appears to be so, because the
sulphurs must of necessity pass through all the book to
make a writing of a clear and invisible liquor appear
black and visible: and to facilitate this penetration the
book is strook, and then turned about, because the spirit
or volatile sulphurs do always tend upwards; you must
likewise clap it into a press, that these sulphurs may
not be dispersed in the air. I have found, if that these
circumstances are not observed, the business fails.
Furthermore that which persuades me that the sulphurs
do pass through the book, and not take a circuit
to slip in by the sides, as many do imagine, is
that after the book is taken out of the press, all the
inside is found to be scented with the smell of this
liquor.
"There is one thing more to be observed, which is,
that the infusion of quick-lime and orpin be newly
made, because otherwise it will not have force enough
to penetrate. The three liquors should be made in
different places too; for if they should approach near
one another, they would be spoiled.
"This last effect does likewise proceed from the defacing
liquor; for because upon the digestion of quick-
lime and orpin, it is a thing impossible for some of the
particles will exalt, stop the vessel as close as you
will; the air impregnated with these little bodies does
mix with, and alter the inks, insomuch that the visible
ink does thereby become the less black, and the invisible
ink does also acquire a little blackness."
Priceless MSS. in immense number written in
periods between the third and thirteenth centuries
have been destroyed by modern scholars in experimentations
based on the false theory that the faded
inks on them, whether above or below other inks
(palimpsests), contained iron.
Sulphocyanide of potassium is highly esteemed as a
reagent for the restoration of writing, if iron is present.
Theoretically, it is one of the best for such a purpose
if employed with acetic acid. It causes, however, such
a decided contraction of parchment as to be utterly
useless, but for paper MSS. is excellent. The metallic
sulphides generally pronounced harmless, causes
the writing to soften and become illegible in a short
time. On the other hand, yellow prussiate of potash,
with acetic acid in successive operations is of great
service in treating the most perplexing palimpsests.
Ink which badly corrodes a steel pen need not
necessarily be condemned; it may contain just the qualities
which make it bind to the paper and render it
more durable.
Some inks which are fairly permanent against time
if not tampered with, can be removed with water.
This is true of the most lasting of inks,--the old
"Indian."
In ancient Latin MSS. the words fuco, fucosus
and fucus are found to be frequently employed. It
is interesting to note the variations in their meaning:
Public-domain text, read in full here on John Shaqi.
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