Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink. — John Shaqi
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
"Sir Humphry Davy, after investigating their
chemical nature, arrived at the conclusion that they
had not been carbonized by heat, but changed by the
long action of air and moisture; and he visited Naples
in hopes of rendering the resources of chemistry
available towards deciphering these long-lost literary
treasures. His expectations, however, were not fully
crowned with success, although the partial efficacy of
his methods was established; and he relinquished the
pursuit at the end of six months, partly from disappointment,
partly from a belief that vexatious obstacles
were thrown in his way by the jealousy of the
persons to whom the task of unrolling had been intrusted.
About five hundred volumes have been well
and neatly unrolled. It is rather remarkable that, as
far as can be learned, no manuscript of any known
standard work has been found, nor, indeed, any production
of any of the great luminaries of the ancient
world. The most celebrated person of whom any
work has been found is Epicurus, whose treatise, De
Natura, has been successfully unrolled. This and a
few other treatises have been published. The library
in which this was found appears to have been rich in
treatises on the Epicurean philosophy. The only
Latin work which it contained was a poem, attributed
to Rabirius, on the war of Caesar and Antony."
Beginning with A. D. 200, the employment of inks
became more and more constant and popular. Rediscoveries
of ancient formulas belonging to a more
remote antiquity multiplied in number. Silver ink
was again quite common in most countries. Red ink
made of vermilion (a composition of mercury, sulphur
and potash) and cinnabar (native mercuric sulphide)
were employed in the writing of the titles as was blue
ink made of indigo, cobalt or oxide of copper. Tyrian
purple was used for coloring the parchment or vellum.
The "Indian" inks made by the Chinese were imported
and used in preference to those of similar
character manufactured at home. The stylus and
waxed tablets though still used, in a measure gave way
to the reawakened interest in ink and ink writings.
A greater facility in writing, due to the gradual
reduction in size of the uncial (inch) letters was
thereby attained.
There were "writers in gold" and "writers in
silver" who travelled from the East into Greece and
who bad found their way before the third century
into the very heart of Rome. Their business was to
embellish the manuscript writings of those times. It
was considered en regale for authors to "illuminate"
their MSS. and those who failed to do so suffered in
popularity.
These authors frequently allude to their use of red,
black and secret inks.
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