Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink. — John Shaqi
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
"In the first ages of Christianity, when the
fathers of the Church, the Jews, and the Heathen
philosophers were so warmly engaged in controversy,
there is reason to believe that pious frauds
were not uncommon: and that when one party suspected
forgeries, instead of an attempt at confutation,
which might have been difficult, they had
recourse perhaps to a countermine: and either invented
altogether, or eked out some obscure traditional
scraps by the embellishments of fancy.
When we consider, amongst many literary impositions
of later times, that Psalmanazar's history of
Formosa was, even in this enlightened age and
country (England, about 1735), considered by our
most learned men as unquestionably authentic, till
the confession of the author discovered the secret,
I think it is not difficult to conceive how forgeries
of remote events, before the invention of printing
and the general diffusion of knowledge might gain
an authority, and especially with the zealous, hardly
inferior to that of the most genuine history."
De Vinne, however, in his "Invention of Printing,"
New York, 1878, best explains the status quo of those
times, relative not only to book (MSS.) making, and
methods of circulation, but the causes which led up to
their eventual disappearance and the literary darkness
which ensued. His remarks are so pertinent
that they are quoted at length:
"The civilization of ancient Rome did not require
printing. If all the processes of typography
had been revealed to its scholars the art would not
have been used. The wants of readers and writers
were abundantly supplied by the pen. Papyrus
paper was cheap, and scribes were numerous; Rome
had more booksellers than it needed, and books
were made faster than they could be sold. The
professional scribes were educated slaves, who, fed
and clothed at nominal expense, and organized under
the direction of wealthy publishers, were made
so efficient in the production of books, that typography,
in an open competition, could have offered few advantages.
Public-domain text, read in full here on John Shaqi.
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