Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink. — John Shaqi
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
The word "clericus" or "clerk," became synonymous
with penman, the sense in which it is still most
usually employed. If a man could write, or even
read, his knowledge was considered as proof presumptive
that he was in holy orders. If kings and great
men had occasion to authenticate any document, they
subscribed the "sign" of the cross opposite to the place
where the "clerk" had written their name. Hence
we say, to sign a deed or a letter.
Books (MSS.) were extremely rare amongst the
Scandinavian and northern nations. Before their
communication with the Latin missionaries, wood appears
to have been the material upon which their
runes were chiefly written: and the verb "write,"
which is derived from a Teutonic root, signifying to
scratch or tear, is one of the testimonies of the usage.
Their poems were graven upon small staves or rods,
one line upon each face of the rod; and the Old English
word "stave," as applied to a stanza, is probably
a relic of the practice, which, in the early ages, prevailed
in the West. Vellum or parchment afterwards
supplied the place of these materials. Real paper,
manufactured from the pellicle of the Egyptian reed
or papyras, was still used occasionally in Italy, but
it was seldom exported to the countries beyond the
Alps; and the elaborate preparation of the vellum,
upon which much greater care was bestowed than in
the modern manufacture, rendered it a costly article;
so much so, that a painstaking clerk could find it
worth his while to erase the writing of an old book,
in order to use the blank pages for another manuscript.
The books thus rewritten were called "codices rescripti,"
or "palimpsests." The evanescent traces of
the first layer of characters may occasionally be
discerned beneath the more recent text which has been
imposed upon them.
In Ireland, first known as the Isle of Saints, was
founded in the seventh century a great school of
learning which included writing and illuminating,
which passed to the English by way of the monasteries
created by Irish monks in Scotland. Their earliest
existing MSS. are said to belong to that period. In
the Irish scriptoriums (rooms or cells for writing) of
the Benedictine monasteries where they were prepared,
so particular were the monks that the scribes were
forbidden to use artificial light for fear of injuring the
manuscripts.
Most interesting and entertaining are the observations
of Falconer Madan, a modern scholar of some
repute. Of the history of writing in ink during the
"Dark Ages" he says:
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