Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink. — John Shaqi
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
White was esteemed as being the union of all the
rays of light, and is often referred to as the symbol of
truth and spotless purity. Red was emblematic both
of fire and love, while green from its analogy to the
vegetable world, was indicative of life and hope. Violet
was considered the color of penitence and sorrow.
Blue was forbidden except as a color peculiarly appropriated
to the Virgin Mary, while black represented
universally sorrow, destruction and death.
The art of dyeing was also well understood and
practiced in Persia in the most ancient periods. The
modern Persians have chosen Christ as their patron,
and Bischoff says at present call a dyehouse Christ's
workshop, from a tradition they have that He was of
that profession, which is probably founded on the old
legend "that Christ being put apprentice to a dyer,
His master desired him to dye some pieces of cloth of
different colors; He put them all into a boiler, and
when the dyer took them out he was terribly frightened
on finding that each had its proper color."
This, or a similar legend, occurs in the apocryphal
book entitled, "The First Gospel of the Infancy of
Jesus Christ." The following is the passage:
"On a certain day also, when the Lord Jesus
was playing with the boys, and running about, He
passed by a dyer's shop whose name was Salem,
and there were in his shop many pieces of cloth
belonging to the people of that city, which they
designed to dye of several colors. Then the Lord,
Jesus, going into the dyer's shop, took all the cloths
and threw them into the furnace. When Salem
came home and saw the cloth spoiled, he began to
make a great noise and to chide the Lord Jesus,
saying: 'What hast Thou done, unto me, O thou
son of Mary? Thou hast injured both me and my
neighbors; they all desired their cloths of a proper
color, but Thou hast come and spoiled them all.'
The Lord Jesus replied: 'I will change the color
of every cloth to what color thou desirest,' and
then He presently began to take the cloths out of
the furnace; and they were all dyed of those same
colors which the dyer desired. And when the Jews
saw this surprising miracle they praised God."
The ancients used also a number of tinctures as
ink, among them a brown color, sepia, in Hebrew
tekeleth. As a natural ink its origin antedates every
other ink, artificial or otherwise, in the world. It is a
black-brown liquor, secreted by a small gland into an
oval pouch, and through a connecting duct is ejected
at will by the cuttle fish which inhabits the seas of
Europe, especially the Mediterranean. These fish
constantly employ the contents of their "ink bags"
to discolor the water, when in the presence of enemies,
in order to facilitate their escape from them.
The black broth of the Spartans was composed of
this product. The Egyptians sometimes used it for
coloring inscriptions on stone. It is the most lasting
of all natural ink substances.
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