Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
"The better quality of paper, now known as
linen paper, had the merits of strength, flexibility,
and durability in a high degree, but it was set aside
by the copyists because the fabric was too thick
and the surface was too rough. The art of calendering
or polishing papers until they were of a
smooth, glossy surface, which was then practised
by the Persians, was unknown to, or at least
unpractised by, the early European makers. The
changes or fashion in the selection of writing papers
are worthy of passing notice. The rough
hand-made papers so heartily despised by the
copyists of the thirteenth century are now preferred
by neat penmen and skilled draughtsmen.
The imitations of mediaeval paper, thick, harsh,
and dingy, and showing the marks of the wires
upon which the fabric was couched, are preferred
by men of letters for books and for correspondence,
while highly polished modern plate papers, with
surfaces much more glossy than any preparation of
vellum, are now rejected by them as finical and effeminate.
"There is a popular notion that the so-called inventions
of paper and xylographic printing were
gladly welcomed by men of letters, and that the
new fabric and the new art were immediately
pressed into service. The facts about to be presented
in succeeding chapters will lead to a different
conclusion. We shall see that the makers of
playing cards and of image prints were the men
who first made extended use of printing, and that
self-taught and unprofessional copyists were the
men who gave encouragement to the manufacture
of paper. The more liberal use of paper at the
beginning of the fifteenth century by this newly-
created class of readers and book-buyers marks the
period of transition and of mental and mechanical
development for which the crude arts of paper-
making and of black printing had been waiting for
centuries. We shall also see that if paper had been
ever so cheap and common during the Middle Ages,
it would have worked no changes in education or
literature; it could not have been used by the people,
for they were too illiterate; it would not have
been used by the professional copyists, for they
preferred vellum and despised the substitute.
Public-domain text, read in full here on John Shaqi.
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