Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
"As the results of discussions of long years held
at my own house which is known as de Secreti,
and into which none can enter unless he claim to be
an inventor of new discoveries."
Two of these treatises which were extant in the
first half of the seventeenth century, dated respectively
1481 and 1483, dwell at great length on SECRET
inks and specifically mention as translated into the
English of the time "sowre galls in white wine," and
"vitriol;" repeating Italian formulas pertaining to
the "Secreta" of the twelfth century.
About secret ink he tells us:
"There are many and almost infinite ways to
write things of necessity, that the Characters shall
not be seen, unless you dip them into waters, or
put them near the fire, or rub them with dust, or
smeer them over.
* * * * * * * *
"Let Vitriol soak in Boyling water: when it is
dissolved, strain it so long till the water grow clear:
with that liquor write upon paper: when they are
dry they are not seen. Moreover, grinde burnt
straw and Vinegar: and what you will write in the
spaces between the former lines, describe at large.
Then boyl sowre Galls in white Wine, wet a spunge
in the liquor: and when you have need, wipe it
upon the paper gently, and wet the letters so long
until the native black colour disappear, but the
former colour, that was not seen, will be made
apparent. Now I will show in what liquors paper
must be soaked to make letters to be seen. As I
said, Dissolve Vitriol in water: then powder Galls
finely, and soak them in water: let them stay there
twenty-four hours: filtre them through a linen
cloth, or something else, that may make the water
clear, and make letters upon the paper that you
desire to have concealed: send it to your Friend
absent: when you would have them appear, dip
them in the first liquor, and the letters will presently
be seen.
* * * * * * * *
If you write with the juice of Citrons, Oranges,
Onyons, or almost any sharp things, if you make
it hot at the fire, their acrimony is presently discovered:
for they are undigested juices, whereas they
are detected by the heat of the fire, and then they
show forth those colours that they would show if
they were ripe. If you write with a sowre Grape
that would be black, or with Cervices; when you
hold them to the fire they are concocted, and will
give the same colour they would in due time give
upon the tree, when they were ripe. Juice of Cherries,
added to Calamus, will make a green: to sow-
bread a red: so divers juices of Fruits will show
divers colours by the fire. By these means Maids
sending and receiving love-letters, escape from
those that have charge of them. There is also a
kind of Salt called Ammoniac: this powdered and
mingled with water, will write white letters, and
can hardly be distinguished from the paper, but
hold them to the fire, and they will shew black."
Public-domain text, read in full here on John Shaqi.
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