Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
With respect to the preparation of black and colored
inks and also colors: Antonio Neri, an Italian author
and chemist who lived in the sixteenth century, in his
treatise seems not only to have laid the foundation
for most of the receipts called attention to by later
writers during the two hundred years which followed,
but to have been the very first to specify a proper
"gall" ink and its formula, as the most worthy of
notice.
Pietro Caneparius, a physician and writer of Venice,
A. D. 1612, in his work De Atrametis, gives a more
extensive view about the preparation and composition
of inks and adopts all that Neri had given, though he
never quotes his name, and adds--"hitherto published
by no one." He does however mention many valuable
particulars which were omitted by Neri. Most
of his receipts are about gold, silver and nondescript
inks, with directions for making a great variety for
secret writing and defacing. This book revised and
enlarged was republished in London, 1660.
In 1653 Peter Borel, who was physician to Louis
XIV, King, of France published his "Bibliotheca
Chemica," which contains a large number of ink receipts,
two of which may be characterized as "iron
and gall" ones. They possess value on account of
the relative proportions indicated between the two
chemicals. The colored ones, including gold, silver
and sympathetic inks are mostly repetitions of those
of Neri and Caneparius. The French writers, though,
speak of his researches in chemistry as "somewhat
credulous."
Christopher Merret, an English physician and naturalist,
born A. D. 1614, translated Neri into our
language in 1654, with many notes of his own about
him; his observations have added nothing of value to
the chemistry of inks.
Johann Kunckel, a noted German chemist and
writer in 1657, republished in the German language
Neri's work with Merret's notes, and his own observations
on both. He also inserted many other processes
as the result of considerable research and seems to
have been thoroughly conversant with the chemistry
of inks, advocating especially the value and employment
of a tanno-gallate of iron ink for record purposes.
Salmon, A. D. 1665, in his Polygraphics, proceeds
to give instructions relative to inks which notwithstanding
their merit are confounded with so many absurdities
as to lessen their value for those who were
unable to separate truth from falsehood; but he
nevertheless dwells on the virtues of the "gall" inks.
Jacques Lemort, a Dutch chemist of some note,
issued a treatise, A. D. 1669, on "Ink Formulas and
Colors," seemingly selected from the books of those
who had preceded him. He expresses the opinion
that the "gall" inks if properly compounded would
give beneficial results.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account