Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
The colored writing inks, of which "red" is the
more important, are in great number and with hardly
an exception at the present time, manufactured by
adding water and water-glass to a soluble aniline red
color. Cochineal which was used for red ink formerly
is now almost obsolete. Nigrosine, one of the best
known of them, is much used as a cheap "black" ink,
but as it is blue black and never becomes black, it
really belongs to the family of "colored" writing
inks. They possess an undeserved popularity for they
flow freely from the pen which they do not corrode,
nor do they thicken or spoil in the inkwell; they are
however very "fugitive" in character and should not
be employed for record, legal, monetary or other
documentary purposes. The indigo and prussian blue
inks are well known, the former under certain conditions
a very permanent ink, the latter soon disintegrating.
Copying inks are of two kinds, one dependent on
the addition of glycerine, sugar, glucose or like compounds
to the black writing inks or chemical writing
fluids heretofore mentioned, which are thereby kept
in a moist offsetting condition; the other due to the
solubility of the pigmentary color with water, such as
the aniline inks which are given more body than
those for ordinary purposes--and the logwoods in
which the pigment is developed and given copying
qualities by chemicals, and hence becomes responsive
to the application of a sheet of paper dampened with
water. Copying ink should never be used for
"record" purposes as it is affected by changes of the
temperature.
India ink, sometimes called China ink, or as formerly
known by the ancients and in classical and later times
"Indian ink," is now used more for drawing and engrossing
than it is for commercial purposes. It belongs
to the "carbon" class and in some form was
the first one used in the very earliest times. In
China it is applied with a brush or pith of some reed
to the "rice" paper also there manufactured. It is
easily washed away unless bichromate of ammonium
or potassium in minute quantities be added to it, and
then if the paper on which it appears be exposed for a
short time to the action of the actinic rays of sunlight,
this gummy compound will be rendered insoluble and
cannot be removed with any fluid, chemical or otherwise.
It possesses also great advantages in drawing,
since it acts as a paint, and will give any degree of
blackness according to the quantity of water mixed with it.
Public-domain text, read in full here on John Shaqi.
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