Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
The variations would appear to be largely due to the
difference in quality of the gall-nuts, treatment, and
temperature of the atmosphere; perhaps, however, not
so much to-day as it was ten or twenty years ago,
when to make ink of this character boiling processes
were employed. Most of them as already stated are
now "cold" made.
Inks of this class consist of a finely divided insoluble
precipitate suspended in water by the use of gum and
possessing a slight acidity.
The requisites of a good black writing ink or
black writing fluid require it to flow readily from
the pen, to indicate in a short time a black color
and to penetrate the paper to an appreciable
degree, and more important than all the rest, to be of
great durability. When kept in a closed vessel no
sediment of any account should be precipitated, although
such will be the case in open ink-wells, and
this the quicker the more the air is permitted to get
to it. If it is to be used for record or documentary
purposes it must not be altogether obliterated if brought
into contact with water or alcohol, and should depend
for permanency on its chemical and not on its pigmentary
qualities.
The second class, called for distinction "chemical
writing fluids," possesses the same essential ingredients
to be found in class one, but much less in
quantity and with some "added" colored substance
which I shall term "loading," for its real purpose is to
cheapen the cost of production and not altogether as
some manufacturers state "simply to give them an
agreeable color."
Previous to the discovery of the soluble anilines,
logwood, indigo, madder, orchil and other dyeing
materials were used for a period of some eighty years
and vanadium for some twenty years (very costly
at that time), for this purpose, but since 1874, and
with frequent changes as the newer aniline compounds
were invented, these by-products of coal-tar, as well as
logwood, etc., have been and are to-day employed for
"loading," or as the manufacturer expresses, it "added
color." The chemical writing fluids as now prepared,
yield when first written a blue or green color with a
tendency to change to black afterwards. They are
not as permanent as those of the first class.
Another black ink not durable, however, is "logwood;"
its extract is combined with a little chromate
of potassium and boiled together in water. It possesses
its own "gum" and contains some tannin. In
combination with alum and water, it forms a dark
purple ink.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account