When I mentioned them, I had fully intended to give some instances of
that humor, but when it was not of a raciness, it was of such a rare
and delicate charm, such a fleeting, evanescent quality, that it is
impossible to separate it from all that was going on about it. It is
easy enough to recall if not to evoke again the scene in which Ben
King and Charlie Almy, sitting for three hours at a stretch, gave a
wholly impromptu impersonation of two solemn missionaries just returned
from some unmapped wilderness and recounting their deeds in order to
inspire contributions; it is not difficult either to recall the slight
figure of Charlie Seymour, with his red hair, his comedian’s droll
face, and to listen to him recounting those adventures which life
was ever offering him, whether on one of his many journeys as a war
correspondent to the region of the Dakotas when his friends among the
Ogallalla and Brûlé Sioux were on the war-path again, or in some less
picturesque tragedy he had been reporting nearer home--say a murder in
South Clark Street; but, like so many of the keener joys of life, the
charm of his stories was fleeting and gone with the moment that gave
them.
His humor colored everything he wrote, as the humor of Finley Peter
Dunne colored everything he wrote; and both were skilled in the art
of the news story. We were all reading Kipling in those days, and
Mr. Dunne was so clever in adapting his terse style to the needs
of the daily reportorial life that when one night a private shot a
comrade in the barracks at Fort Sheridan, and Mr. Dunne was detailed
to report the tragedy, he found it in every detail so exactly like
Kipling’s story “In the Matter of a Private,” that he was overcome by
the despair of having to write a tale that had already been told. He
resisted the temptation, if there was any temptation, nobly and wrote
the tale with a bald simplicity that no doubt enhanced its effect.
He had not then begun to report the Philosophy of Mr. Dooley, though
there was a certain Irishman in Chicago responsive to the name of
Colonel Thomas Jefferson Dolan, whom, in his capacity of First Ward
Democrat, Mr. Dunne frequently interviewed for his paper without the
cramping influences of a previous visitation on the Colonel, and these
interviews showed much of the color and spirit of those Dooley articles
which later were to make him famous. He already knew, of course,
and frequently enjoyed communion with the prototype of Mr. Dooley,
Mr. James McGarry, who had a quaint philosophy of his own which Mr.
Dunne one day rendered in a little article entitled “Mr. McGarry’s
Philosophy.” The familiarity so wounded Mr. McGarry, however (he
was a man of simple dignity and some sensitiveness), that Mr. Dunne
thereafter adopted another name for the personage through which he was
so long and so brilliantly to express himself, though it was not until
after the Spanish War that the wide public was to recognize the talent
Public-domain text, read in full here on John Shaqi.
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