I was once persuaded to take the chair on the occasion of the visit of
the Lord Chief Justice, and when, with every good intention, I rose to
propose the usual toasts, to thank the Lord Chief Justice for his
presence that evening, and to extol his good qualities, I almost
forgot whether he was Lord Chief Justice or the Archbishop of
Canterbury. However, I managed to struggle through, and with admirable
promptitude the guest of the evening replied with real humour and
relieved me of some part of my duty. At the end of the evening, Percy
Wood came up to me and thanked me for so ably taking the chair, and
when I apologized for what I considered my inability adequately to
fill the post, he congratulated me, whereupon an artist who was
standing by, said, "What! That a good speech! It was awful rot!"
It was a singular coincidence that on this and the following occasions
when our guest was the Bishop of London, both men were total
abstainers, while we indulged in our toasts from the punch bowl. I
made a silhouette beforehand of the Bishop leaning forward as though
to make a speech, which appeared on the menu.
[Illustration: W. S. GILBERT AND MSLLE. ROSA.]
[Illustration: TOM KNOX HOLMES.]
[Illustration: _Played first at the Gaiety Theatre where the profits,
£600, were handed over by the Amateur Company to the Central
Theatrical Fund._]
[Illustration: CAPTAIN GOOCH. QUENTIN TWISS. ELEANOR BUFTON. LYDIA
THOMPSON.]
[Illustration: MYSELF. A. STUART WORTLEY. J. MACLEAN.]
Of the many well-known clubs I remember, I went to the Anglo-American
Club, where I was invited to meet Oliver Wendell Holmes. At the time I
was particularly requested to make a drawing of him for _Vanity Fair_.
I was introduced to him, amongst others, and was particularly
impressed by his kindly features; the first peculiarity my eye lit
upon was the prominent eyebrows. Crowds of listening people surrounded
him while he talked, and the opportunity of watching my subject
unnoticed at such close quarters, was a splendid one, and from my
observations I made one of the best caricatures that I have ever done
from memory.
When I look back it gives me great pleasure to think of the jolly days
and nights when, in March, 1878, many old friends met together for the
purpose of rehearsing for the unique _Amateur Pantomime_ given at the
Gaiety Theatre and afterwards at Brighton. Edward Terry, Kate Vaughan,
Nellie Farren, Amalia and Royce were then in their zenith, and John
Hollingshead was manager of the Gaiety; and it was after this
performance that we gathered for the night rehearsal.
Public-domain text, read in full here on John Shaqi.
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