The idea was originated by Archibald Stuart Wortley and William Yardley, and nothing could exceed their energy in promoting it. I won't say that such a thing had never been thought of before; as a similar entertainment by amateurs had taken place many years previously, in which Mr. Tom Knox Holmes had played the same part of pantaloon. I believe, however, that that performance was not carried out on the same scale. Looking down the list of our theatrical company, I am reminded sadly of the few members of it that remain, although, of the four authors who contributed to its success, it is gratifying to know that Sir Francis Burnand is hale and hearty. It is interesting to recollect how conscientiously W. S. Gilbert learnt his steps as the harlequin, how marvellously old Knox Holmes (who was well over seventy) played the pantaloon, and what a perfect clown Yardley made. "Odger" Colvile (afterwards the unfortunate General Sir Henry Colvile) was marvellous in his leaps and bounds. All this was the result of real hard work, and these men in the harlequinade gave the whole of their mind to it as though it were a matter of life and death. I mustn't forget either in this act that Fred McCalmont, Lord de Clifford, and Algy Bastard equally distinguished themselves. Perhaps it is because the harlequinade required more rehearsing than the pantomime burlesque itself (written by Reece, F. C. Burnand, H. J. Byron, and W. S. Gilbert) that I mention it first; but, of course, Captain Gooch, Quintin Twiss, Archie Stuart Wortley, I. Maclean, and those who took prominent parts, were as good in their different ways; in fact, some of them were already distinguished amateur actors. The dancing of Ashby Sterry and Johnny Giffard I shall never forget: it was too funny to be described. I delighted in the various characters selected for me to play, and when, as the "lightning artist," I drew Dizzy and Gladstone, I was overwhelmed with applause and boos that resounded in every part of the house from partisans of the two political leaders. So successful; in fact, was this item of the programme, that I received on the following day a genuine offer from a well-known manageress to take a similar part professionally at her theatre (a fact that amused me greatly). POKER PLAYERS AT THE FIELDING CLUB. [Illustration: _A bluff._ "JOHNNY" GIFFARD.] [Illustration: ALFRED THOMPSON.] [Illustration: 3 a.m. "This game bores me." CORNEY GRAIN.] [Illustration: "TOM" BIRD. _A bird with a "full" hand is worth two with a flush._] [Illustration: CORNEY GRAIN AT DATCHET.] [Illustration: PELLEGRINI. "Can't play billiard to-night, my boy, I 'av lumbago. What you recommend to make the ''air grow?'"]