Gladstone and Disraeli I drew in black and white, of course many years
before, for the _Graphic_, and on subsequent occasions for _Vanity
Fair_. As a careful observation of the movement of my subject is
always necessary, one day in talking to Monty Corry I told him I was
on the look-out for an opportunity to complete my study of his chief,
whom I wished to observe at a distance sufficiently near and far to
get his gait. He said that they would be leaving Downing Street for
the House of Lords together at a certain hour, and he suggested that I
should follow them or walk on the opposite side of the road. At the
appointed time I was at my post and keenly watched them start,
Disraeli leaning on Monty Corry's arm. As they strolled towards the
House of Lords I followed along on the other side, mentally taking in
their movements and completing my impression of the great leader and
his secretary. Also at the request of Mr. Monty Corry, Disraeli's
valet gave me an opportunity of inspecting the coat with the astrachan
collar which seemed to hold a share in its owner's strong
individuality, and from these observations I made the caricature
"Power and Place" which appeared in due course in _Vanity Fair_, and
was published in a special number.
That the character of the man may be seen in his walk I have
frequently proved, though never more clearly than through the two most
distinguished statesmen of their generation; Disraeli walked, or
appeared to walk, on his heels as though he were avoiding hot ashes.
In strongest contrast was the walk of Gladstone, who planted his feet
with deliberate but most vigorous firmness as though with every step
he would iron his strong opinion into the mind of the nation.
[Illustration: "DIZZY" AND "MONTY" CORRY (LORD ROWTON).]
_À propos_ of caricature and movement, Lord Arthur Hill presented some
difficulty to the caricaturist because he was so charged with movement
that he never appeared to pause for a moment. His leading feature was
his stride which seemed, and was, of tremendous length. He also had a
very long neck and a curiously flat head, and he always seemed to walk
as though he saw a stout wall in front of him and was full of
determination to get through it. My caricature is just one long
stride.
Public-domain text, read in full here on John Shaqi.
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