Man's dress is very much more commonplace than it used to be, and
nowadays clothes seldom help out the artist, but in the days of which
I write the exaggerated styles or idiosyncrasies in some apparently
trivial detail of male attire made all the difference in the world to
the caricaturist, and many of the older peers, country squires and
occasional eccentric gentlemen retained the old-fashioned habits of
dress in spite of the wisdom or folly of fashion. Gladstone, of
course, was the making of many caricaturists, the lion-like striking
face in the setting of the high collar was a picture in ten thousand.
I drew the "Grand Old Man" over and over again from sheer interest,
his face had the strongest fascination for me. I watched it change
with the years; and year by year the unusual collar grew less in
dimensions and in importance to the caricaturist, as the character
pencilled itself about the features of the wonderful old face.
Also among clothes-subjects was Mr. John Laird, member of Parliament,
who was a superlative delight to the caricaturist, for his clothes
were unique even among the remarkable, his usual costume consisting of
a long-tailed frock-coat covered by a short pea-jacket which extended
only a little beyond his waist.
Lord Alexander Paget--the father of the present Lord Anglesey--known
to his friends as "Dandy Paget," was a very smart man of the best
type. He wore a hat with a very curly brim, and dressed in very loud
checks; but he could wear what he liked, for he always "looked right."
I stayed a week-end with him in Cheshire, and while there he obliged
me by showing me his wonderful wardrobe in which I never saw a more
varied selection, and I soon hit on the suit which I thought the most
effective for my purpose. This was the one with the biggest check of
all, and with the peggiest of peg-top trousers.
Also for rare habilatory peculiarity, the uncle of "the Dasher" (the
late Earl of Portarlington) was hard to beat. He was an old gentleman
who usually, in walking costume, wore a decidedly blue frock-coat
trimmed with deep braid, lavender-coloured trousers of a nautical cut
and patent leather boots, showing but the tips, after the
Bulwer-Lytton style. His hair was trimmed over his ears in the
Buster-Brown manner, and his moustache and tip well cosmetiqued. His
silk hat was of a build of its own, well curled. His tie of a
brilliant hue, a fancifully arranged handkerchief emerging from his
breast pocket, the gayest of button-holes, and grey kid gloves
completed an _ensemble_ wonderful to behold. One of the greatest
treats I have ever had was watching him pirouette through the figures
of a quadrille, in the good old-fashioned style, on the occasion of a
ball at Stafford House.
Public-domain text, read in full here on John Shaqi.
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